RCIN and OZwRCIN projects

Object

Planned object

Title: The anthropology of image and knowledge of the image (Bildwissenschaft) as a transdisciplinary project. Archaeology in the transdisciplinary network

Creator:

Zeidler-Janiszewska, Anna

Date issued/created:

2006

Resource type:

Tekst

Subtitle:

Archaeologia Polona Vol. 44 (2006)

Publisher:

Institute of Archaeology and Ethnology Polish Academy of Sciences

Place of publishing:

Warszawa

Description:

il. ; 24 cm

Type of object:

Czasopismo/Artykuł

Abstract:

Philosophers of science are persuading in favour of the principle of transdisciplinarity superseding the interdisciplinary approach that has been dominant in science until now. This new principle has been proven to be more effective in finding solutions to the research questions we face in the modern world. The humanities are also present in transdisciplinary research networks. Even so, transdisciplinary projects combining cognitive and educational needs have been set up also in the humanities themselves. The German counterpart of Visual Studies, Bildwissenschaft, is just such a project rooted in the anthropology of image. The aim of this essay is to point out the potential of this project to archaeologists (those of the profession who have already devoted attention for a long time to the issues of early forms), and to focus on the mutual benefits that the association of scholars of the oldest forms of visual imagery and researchers into the most modern of forms (created in entirely different visual media) can bring

References:

Belting, H. 2000. Obraz i jego media. Próba antropologiczna. Artium Quaestiones 11: 295–322
Berger, R. 1999. Od telewizji –Żywicielki do telewizji pierwotnej. Kultura Współczesna 3: 21–7
Boehm, G. 1994. Die Wiederkehr der Bilder. In Was ist ein Bild?, G. Boehm (ed.), 11–38. München
Bredekamp, H. 2004. Drehmomente Merkmale und Ansprüche des iconic turn. In Iconic Turn. Die neue Macht der Bilder, Ch. Maar and H. Burda (eds), 15–26. Köln
Cassirer, E. 1995. Symbol i język. Poznań
Chmielecki, K. in print. Estetyka intermedialnożci
Habermas, J. 2004. Od wrażenia zmysłowego do symbolicznego wyrazu. Warszawa
Holert, T. 2005. Kulturwissenschaft / Visual Culture. In Bildwissenschaft. Disziplinen, Themen, Methoden, K. Sachs-Hombach (ed.), 226–35. Frankfurt a/M
Kita, B. 1999. Pasaże interdyscyplinarne. Kultura Współczesna 3: 28–35
Lenssen-Erz, T. 2005. Archäologie und Prähistorie. In Bildwissenschaft. Disziplinen, Themen, Methoden. K. Sachs-Hombach (ed.), 163–73. Frankfurt a/M
Mitchell, J.W. 1995. Picture theory. Essays on verbal and visual representations. Chicago-London
Mitchell, J.W. n.d., Showing Seeing. A critique of visual culture. In Visual culture reader, N. Mirzoeff (ed.), 86–101. London–New York
Mittelstrass, J. 2001. Wissen und Grenzen. Philosophische Studien. Frankfurt a/M
Verwoert, J. 2003. Double viewing. Versuch über die Bedeutung des „Pictorial Turn” für einen ideologiekritischen Umgang mit visuellen Medien – im Medium Videokunst. In Personen? Schauplatz, J. Huber (ed.), 223–42. Wien–New York
Wiesing, L. 2005. Artifizielle Praesenz. Studien zur Philospophie des Bildes. Frankfurt a/M

Relation:

Archaeologia Polona

Volume:

44

Start page:

53

End page:

64

Detailed Resource Type:

Artykuł

Format:

application/octet-stream

Resource Identifier:

0066-5924

Source:

IAiE PAN, sygn. P 357 ; IAiE PAN, sygn. P 358 ; IAiE PAN, sygn. P 356 ; click here to follow the link

Language:

eng

Terms of use:

Zasób chroniony prawem autorskim. Korzystanie dozwolone w zakresie określonym przez przepisy o dozwolonym użytku.

Digitizing institution:

Instytut Archeologii i Etnologii Polskiej Akademii Nauk

Original in:

Biblioteka Instytutu Archeologii i Etnologii PAN

Access:

Otwarty

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