Object structure


From the Michelangelo of Lhasa to the Problem of Tibetan Identity


Ethnologia Polona 37 2016 (2017)


Kelényi, Béla


Institute of Archaeology and Ethnology Polish Academy of Sciences

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il. ; 24 cm

Subject and Keywords:

tożsamość ; Tybetańczyk ; sztuka ; Gonkar Gyatso ; thanka


Autor, analizując studium przypadku, prezentuje zagadnienie budowania i ewoluowania tożsamości pod wpływem migracji i zmienności kulturowej. Posługując się metodą biograficzną, przedstawia tybetańskiego artystę, Gonkar Gyatso, i jego prace ukazujące zmianę w podejściu do własnej tożsamości na przestrzeni lat


bsTan pa rab brtan. 2007. Bod kyi srol rgyun mdzes rtsal las bris ’bur gnyis kyi byung ba mdo tsam brjod pa. Pe cin ; brTson ’grus rab rgyas and rDo rje rin chen. 2001. Bod kyi ri mo spyi’i rnam gzhag blo gsal ’jug sgo. Pe cin ; Allinger E. 2007. Representations of the Twenty-eight Buddhas of Former Aeons. In Bagan. G. Bhattacharya, G.J.R. Mevissen, M.M.S. Sinha (eds), KALHĀR Studies in Art, Iconography, Architecture and Archaeology of India and Bangladesh. Professor Enamul Haque Felicitation Volume, New Delhi, 73–80 ; Cutting S. C. 1937. A Photograph of Tsering Döndrup, Lhasa, http://tibetanmaterialhistory.wikischolars.columbia.edu/file/view/bob1-3.jpg/100489381/bob1-3.jpg. Access: 10.12.2017 ; Cutting S. C. 1947. The Fire Ox and Other Years, London ; Gonkar Gyatso. 2003. No Man’s Land: Real and Imaginary Tibet: The Experience of an Exiled Tibetan Artist, The Tibet Journal 28 (1/2, Spring & Summer) ; Gonkar Gyatso. 2009. Buddha in Modern Times. In Tibetan Arts in Transition: A Journey through Theatre, Cinema and Painting. Seminars Proceedings, Rome and Naples ; Gonkar Gyatso. 2009. Gonkar Gyatso, Venice Biennale 2009, London ; Gonkar Gyatso. http://gonkargyatso.com/about-the-artist/artist’s-bio. Access 10.10.2017 ; Harris C. 1997. Struggling with Shangri-La: The Works of Gongkar Gyatso. In Frank Korom (ed.), Constructing Tibetan Culture: Contemporary Perspectives, Montreal ; Harris C. 2012. The Museum on the Roof of the World, Chicago and London ; Henss M. 2014. The Cultural Monuments of Tibet, Prestel, Munich, London, New York ; Jackson D. and Jackson J. 1984. Tibetan Thangka Painting: Methods and Materials, Ithaca, New York ; Jackson D. 2012. The Place of Provenance: Regional Styles in Tibetan Painting, New York ; Jamyang Norbu. http://www.jamyangnorbu.com/blog/2014/10/27/a-cup-of-tea-and-a-slice-of-art-please/. Access 10.10.2017 ; Linrothe R. 2004. Paradise and Plumage: Chinese Connections in Tibetan Arhat Painting, New York, Chicago ; Reilly M. 2012. Gonkar Gyatso: “[A] product of occupied-Tibet”. In Gonkar Gyatso: Three Realms, Brisbane ; Reynolds V. and Heller A. 1983. Catalogue of the Newark Museum Tibetan Collection. Volume I, New Jersey ; Reynolds V. 1999. From the Sacred Realm: Treasures of Tibetan Art from The Newark Museum, Prestel, Munich, London, New York ; Scoggin T. V. 2007. Making Waves: The Rimo of Curating Contemporary Tibetan Art Through an Anthropological Lens, http://www.asianart.com/exhibitions/waves/rimo.html. Access 10.10.2017


Ethnologia Polona



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IAiE PAN, sygn. P 366 ; IAiE PAN, sygn. P 367 ; IAiE PAN, sygn. P 368 ; click here to follow the link




Prawa zastrzeżone - dostęp nieograniczony

Digitizing institution:

Instytut Archeologii i Etnologii Polskiej Akademii Nauk

Original in:

Biblioteka Instytutu Archeologii i Etnologii PAN



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