Projekty RCIN i OZwRCIN

Obiekt

Tytuł: Ethnography / Listening / Recording. Sound Environments of the Malawian North and Beyond

Twórca:

Cichocki, Piotr

Data wydania/powstania:

2019

Typ zasobu:

Tekst

Inny tytuł:

Ethnologia Polona 39 2018 (2019)

Wydawca:

Institute of Archaeology and Ethnology Polish Academy of Sciences

Miejsce wydania:

Warsaw

Opis:

il. ; 24 cm

Typ obiektu:

Czasopismo/Artykuł

Abstrakt:

Anthropological writings barely comment on practices of listening and recording that are in fact essential for ethnographic fieldwork. They constitute the foundations of encountering the local environments approached by ethnographers. This research practice then recontextualizes recorded sound in the new settings of academic or commercial repositories. Two case studies from fieldwork in Northern Malawi elucidate ways in which reflective listening and the utilization of technology constitute knowledge generative processes. The example of the recordings entitled “Bicycling through Chibavi” concerns questions of distance and engagement during fieldwork. The case of an experimental recording of vimbuza music constitutes a methodological project of a “situationist event”. The project demonstrates how the subjects of the research performatively navigate between local sound environments.

Bibliografia:

Banks M. 2001. Visual Methods in Social Research. London: Sage.
Bendiner-Viani G. 2005. Walking, Emotion, and Dwelling: Guided Tours in Prospect Heights, Brooklyn. Space and Culture 8 (4), 459–471.
Cichocki P. 2019. Production of sound, production of knowledge. Central Africa, Central Europe, Global Networks. Seismograf (special issue: Sonic Argumentation II) 2.
Cichocki P. 2018. Tłumacze, Imitatorzy i Afrykańscy Proletariusze. Jednodniówka Kosmopolitania 1.
Cichocki P. and Wieczorek M. 2018. 600 Uderzeń Na Minutę. Rozmowa z Piotrem Cichockim. Dwutygodnik, 2018. https://www.dwutygodnik.com/artykul/8099-600-uderzen-na-minute.html (accessed 01.09.2019).
De Certeau M. 1984. The Practice of Everyday Life. Berkeley: University of California Press.
Debord G. 1957. Report on the Construction of Situations. (pamphlet).
Debord G. 2010. The Society of the Spectacle. Detroit: Black & Red.
Deger J. 2013. In-Between. In A. Schneider and C. Wright (eds.), Anthropology and Art Practice. London: Bloomsbury, 105–13.
Deleuze G. and Guattari . F. 1987. A Thousand Plateaus: Capitalism and Schizophrenia. Minneapolis: University of Minnesota Press.
Derrida J. 1996. Archive Fever: A Freudian Impression. Chicago: University of Chicago Press.
Dibben N. and Haake A.B. 2013. Music and the Construction of Space in Office-Based Work Settings. In G. Born (ed.), Music, Sound and Space, Cambridge: Cambridge University Press, 151–168.
Faubion J.D. and Marcus G.E. 2009. Fieldwork Is Not What It Used to Be: Learning Anthropology’s Method in a Time of Transition. Ithaca: Cornell University Press.
Feld S. 1982. Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression. Durham: Duke University Press.
Foucault M. 1977. The Archaeology of Knowledge. New York: Pantheon Books.
Friedson , S.M. 1996. Dancing Prophets: Musical Experience in Tumbuka Healing. Chicago Studies in Ethnomusicology. Chicago: University of Chicago Press.
Ginsburg F. 1995. Mediating Culture: Indigenous Media, Ethnographic Film, and the Production of Identity. In Deveraux L. and Hillman R. (eds.) Fields of Vision: Essays in Film Studies, Visual Anthropology and Photography, Berkeley: University of California Press, 256–290.
Habermas J. 1987. Knowledge and Human Interests. Cambridge: Polity Press.
Hastrup K. 1995. A Passage to Anthropology: Between Experience and Theory. New York: Routledge.
Ingold T. 2016. Lines: A Brief History. London: Routledge.
Ingold T. 2007. “Against Soundscape.” In T. Ingold Autumn Leaves: Sound and the Environment in Artistic Practice. Paris: Double Entendre.
Massumi B. 2015. Politics of Affect. Cambridge and Malden: Polity.
Miller B. 2017. Kukaya and Tonga Boys: A RootsWorld Review. Roots World. http://www.rootsworld.com/reviews/1000hz-17.shtml (accessed 01.09.2019).
Novak D. 2013. Japanoise: Music at the Edge of Circulation. Durham: Duke University Press.
Novak D. and Sakakeeny M. (eds.) 2015. Keywords in Sound. Durham and London: Duke University Press.
Pettan S. and Titon J. T. (eds.) 2015. The Oxford Handbook of Applied Ethnomusicology. Oxford and New York: Oxford University Press.
Pink S. 2001. Doing Visual Ethnography: Images, Media, and Representation in Research. London and Thousand Oaks: Sage.
Rabinow P. 1977. Reflections on Fieldwork in Morocco. Berkeley: University of California Press.
Rice T. 2003. Time, Place, and Metaphor in Musical Experience and Ethnography. Ethnomusicology 47 (2), 151–179.
Rouch J. and Feld . S. 2003. Ciné-Ethnography. Visible Evidence, v. 13. Minneapolis: University of Minnesota Press.
Schneider A. and Wright C. (eds.) 2013. Anthropology and Art Practice. New York: Bloomsbury Academic.
Schneider A. and Wright C. (eds.) 2010. Between Art and Anthropology: Contemporary Ethnographic Practice. Oxford and New York: Berg Publishers.
Schumaker L. 2001. Africanizing Anthropology: Fieldwork, Networks, and the Making of Cultural Knowledge in Central Africa. Durham: Duke University Press.
Sloterdijk P. 2016. Spheres: Volume 3: Foams Plural Spherology. South Pasadena: Semiotext.
Soko B. 2014. Vimbuza: The Healing Dance of Northern Malawi. Zomba: Imabili Indigenous Knowledge Publications.
Sterne J. 2015. Hearing. In D. Novak and M. Sakakeeny (eds.) Keywords in Sound, edited by David Novak and Matt. Durham: Duke University Press, 65–77.
Stoler A. L. 2009. Along the Archival Grain: Epistemic Anxieties and Colonial Common Sense. Princeton: Princeton University Press.
Thompson E.A. 2008. The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900–1933. Cambridge: MIT Press.
Turkle S. 2008. The Inner History of Devices. Cambridge: MIT Press.
Weheliye A. G. 2005. Phonographies Grooves in Sonic Afro-Modernity. Durham: Duke University Press.

Czasopismo/Seria/cykl:

Ethnologia Polona

Tom:

39

Strona pocz.:

109

Strona końc.:

126

Szczegółowy typ zasobu:

Artykuł

Format:

application/octet-stream

Identyfikator zasobu:

oai:rcin.org.pl:122009 ; 0137-4079 ; doi:10.23858/EthP39.2018.007

Źródło:

IAiE PAN, sygn. P 366 ; IAiE PAN, sygn. P 367 ; IAiE PAN, sygn. P 368 ; kliknij tutaj, żeby przejść

Język:

eng

Prawa:

Licencja Creative Commons Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 4.0

Zasady wykorzystania:

Zasób chroniony prawem autorskim. [CC BY-NC-ND 4.0 Międzynarodowe] Korzystanie dozwolone zgodnie z licencją Creative Commons Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 4.0, której pełne postanowienia dostępne są pod adresem: ; -

Digitalizacja:

Instytut Archeologii i Etnologii Polskiej Akademii Nauk

Lokalizacja oryginału:

Biblioteka Instytutu Archeologii i Etnologii PAN

Dostęp:

Otwarty

Kolekcje, do których przypisany jest obiekt:

Data ostatniej modyfikacji:

2 lut 2022

Data dodania obiektu:

27 kwi 2020

Liczba pobrań / odtworzeń:

398

Wszystkie dostępne wersje tego obiektu:

https://www.rcin.org.pl/iae/publication/152210

Wyświetl opis w formacie RDF:

RDF

Wyświetl opis w formacie RDFa:

RDFa

Wyświetl opis w formacie OAI-PMH:

OAI-PMH

×

Cytowanie

Styl cytowania:

Ta strona wykorzystuje pliki 'cookies'. Więcej informacji