TY - GEN N1 - ill. ; 24 cm M3 - Text J2 - Kwartalnik Historii Kultury Materialnej R. 60 Nr 2 (2012) PY - 2012 IS - 2 EP - 329 KW - 17th-18th c. -- Poland KW - St. John the Baptist Cathedral (Lublin, Poland) KW - crypts KW - archaeological textiles KW - modern costumes KW - modern burial clothes KW - Lublin (Poland) A1 - Drążkowska, Anna A1 - Grupa, Małgorzata A2 - Szymańska, Izabela. Tł. PB - Instytut Archeologii i Etnologii Polskiej Akademii Nauk VL - 60 CY - Warszawa SP - 319 T1 - Odzież z XVII i XVIII wieku z krypt grobowych archikatedry w Lublinie. Analiza kostiumologiczna UR - http://www.rcin.org.pl/iae/dlibra/publication/76637 ER - TY - GEN N1 - ill. ; 24 cm M3 - Text J2 - Kwartalnik Historii Kultury Materialnej R. 59 Nr 2 (2011) PY - 2011 IS - 2 EP - 194 KW - history of material culture A1 - Bialic, Magdalena A2 - Szymańska, Izabela. Tł. PB - Instytut Archeologii i Etnologii Polskiej Akademii Nauk VL - 59 CY - Warszawa SP - 183 T1 - Historia golfa i strojów golfowych w Polsce w okresie dwudziestolecia międzywojennego UR - http://www.rcin.org.pl/iae/dlibra/publication/76778 ER - TY - GEN N1 - ill. ; 24 cm M3 - Text J2 - Archaeologia Polona Vol. 47 (2009-2011) PY - 2011 EP - 261 KW - archeologia -- czasopisma A1 - Piotrowska, Danuta A1 - Piotrowski, Wojciech PB - Institute of Archaeology and Ethnology Polish Academy of Sciences VL - 47 CY - Warszawa T1 - The International Symposium: The History of Archaeology and Archaeological Thought in the 20th Century, dedicated to Grahame Clark on the 100th anniversary of his birth and 50th anniversary of the Polish edition of G. Clark’s Prehistoric Europe: the economic basis, Biskupin, 23rd–25th May 2007 SP - 243 UR - http://www.rcin.org.pl/iae/dlibra/publication/77106 ER - TY - GEN N1 - ill. ; 24 cm N2 - Objects of historical value on museum display and in storage are influenced by the surrounding environment which is called a microclimate. The conservation process of objects in museums can be effected in two ways: passive conservation which is concerned with controlling the surrounding parameters and active conservation which focuses on individual objects. In many museums the microclimate is not automatically controlled, resulting in considerable temperature gradients as well as changes in humidity. This paper focuses upon the impact that changes in humidity have upon museum exhibits. Measurements were carried out using dataloggers and thermovision camera. Data were collected at different times of the day and seasons of the year, as well as before and after museum visiting hours M3 - Text J2 - Archaeologia Polona Vol. 46 (2008) PY - 2008 EP - 332 KW - museum conditions KW - temperature gradient KW - relative humidity KW - glass corrosion KW - weathering process KW - thermovision camera A1 - Greiner-Wronowa, Elżbieta A1 - Pusoska, Anna A1 - Wrona, Jarosław PB - Institute of Archaeology and Ethnology Polish Academy of Sciences VL - 46 CY - Warszawa SP - 317 T1 - Lighting influence on heat parameter changes in museum cabinets UR - http://www.rcin.org.pl/iae/dlibra/publication/77220 ER - TY - GEN N1 - ill. ; 24 cm N2 - The article presents the main trends of the laboratory investigations on ancient pottery in Polish archaeology and the most important moments in history of this trend of investigations in the 20th century. The article contains bibliography of books and papers on the subject of ceramological archaeometry published by Polish authors M3 - Text J2 - Archaeologia Polona Vol. 46 (2008) PY - 2008 EP - 121 KW - Polish archaeology KW - history of archaeology KW - ceramology KW - archaeometry A1 - Kobylińska, Urszula PB - Institute of Archaeology and Ethnology Polish Academy of Sciences VL - 46 CY - Warszawa SP - 89 T1 - Ceramological archaeometry in Poland: the outline of history and problems UR - http://www.rcin.org.pl/iae/dlibra/publication/77193 ER - TY - GEN N1 - ill. ; 24 cm N2 - Colourless glass vessels (243 objects) from Colchester are among the best studied collections. The glasses represent four groups of tableware. This paper interprets the results of physico-chemical analyses of the glass of the Colchester finds carried out by bivariant analysis and by the author’s own method (Stawiarska 1993, 2005). A comparison with Romano-British glasses from the rest of Europe and the Near East justifies the assumption that glass with high-alkaline recipes, which makes up more than 80% of the Colchester collection, was considerably different from other common Roman glass. It is likely to have originated from highly-developed workshops producing easily melting luxury glass. A comparison of the chemical features of glass from vessels from all of the groups proves that it was connected with the same manufacturing tradition of luxury glass (as regards using large amounts of alkalis and relatively pure sand, and decolouring only with antimony). The cast bowls and facet-cut beakers are more likely to have been imports from Eastern or perhaps Italian workshops. Vessels from group III were made probably and from group IV certainly in the West, the latter especially in the Rhineland (mainly Cologne) M3 - Text J2 - Archaeologia Polona Vol. 45 (2007) PY - 2007 EP - 61 KW - Romano-British glass vessels KW - colourless glass KW - chemical analyses KW - interpretation of chemical composition A1 - Stawiarska, Teresa PB - Institute of Archaeology and Ethnology Polish Academy of Sciences VL - 45 CY - Warszawa SP - 41 T1 - Colourless Romano-British vessel glass from the technological point of view UR - http://www.rcin.org.pl/iae/dlibra/publication/77241 ER - TY - GEN N1 - ill. ; 24 cm N2 - Analysis of the daily newspapers published in Poland in the post-War period allows to contribute in an objective way to the ongoing debate on the role which archaeology played in the politics in the period of Communist government. Local newspapers from Silesia and Lubusz Land as well as the central daily paper of the Central Committee of the Communist Party were analyzed for the period before 1970 to find out if archaeology and history were used in an anti-German propaganda and in justification of the Polish rights to the Western Territories regained after the World War II M3 - Text J2 - Archaeologia Polona Vol. 43 (2005) PY - 2005 EP - 124 KW - Recovered Territories KW - Silesia KW - Lubusz Land KW - Polish-German relations KW - propaganda KW - archaeology KW - daily press A1 - Kobyliński, Zbigniew A1 - Rutkowska, Grażyna (1956–2019) A2 - Zych, Iwona. Tł. PB - Institute of Archaeology and Ethnology Polish Academy of Sciences VL - 43 CY - Warszawa SP - 51 T1 - Propagandist use of history and archaeology in justification of Polish rights to the “Recovered Territories” after World War II UR - http://www.rcin.org.pl/iae/dlibra/publication/77267 ER - TY - GEN N1 - ill. ; 24 cm M3 - Text J2 - Archaeologia Polona Vol. 47 (2009-2011) PY - 2011 EP - 279 KW - archeologia -- czasopisma A1 - Lech, Jacek (1946– ) PB - Institute of Archaeology and Ethnology Polish Academy of Sciences VL - 47 CY - Warszawa T1 - Peter Josef (Sejuf ) Felder (1928–2009). A commemoration SP - 271 UR - http://www.rcin.org.pl/iae/dlibra/publication/77140 ER - TY - GEN N1 - ill. ; 24 cm M3 - Text J2 - Kwartalnik Historii Kultury Materialnej R. 59 Nr 1 (2011) PY - 2011 IS - 1 EP - 131 KW - history of material culture A1 - Pol, Adam PB - Instytut Archeologii i Etnologii Polskiej Akademii Nauk VL - 59 CY - Warszawa SP - 126 T1 - Osiemnastowieczna górnicza pompa odwadniająca z Gierczyna (Dolny Śląsk) w zbiorach Muzeum Górnictwa Węglowego w Zabrzu — nowe problemy UR - http://www.rcin.org.pl/iae/dlibra/publication/76809 ER - TY - GEN N1 - ill. ; 24 cm M3 - Text J2 - Kwartalnik Historii Kultury Materialnej R. 57 Nr 2 (2009) PY - 2009 IS - 2 EP - 182 KW - history of material culture A1 - Sypek, Karolina A2 - Szymańska, Izabela. Tł. PB - Instytut Archeologii i Etnologii Polskiej Akademii Nauk VL - 57 CY - Warszawa SP - 171 T1 - Pobyt w Polsce dam dworu Katarzyny Habsburg, trzeciej żony Zygmunta Augusta, w świetle Rachunków poselstw z 1553 roku UR - http://www.rcin.org.pl/iae/dlibra/publication/77159 ER - TY - GEN N1 - ill. ; 24 cm M3 - Text J2 - Kwartalnik Historii Kultury Materialnej R. 57 Nr 2 (2009) PY - 2009 IS - 2 EP - 282 KW - history of material culture A1 - Mączyński, Ryszard A2 - Szymańska, Izabela. Tł. PB - Instytut Archeologii i Etnologii Polskiej Akademii Nauk VL - 57 CY - Warszawa SP - 243 T1 - Grupa klasycystycznych monstrancji z motywem palmy. Autorstwo inwencji i sposoby jej wykorzystania UR - http://www.rcin.org.pl/iae/dlibra/publication/77165 ER - TY - GEN N1 - ill. ; 24 cm M3 - Text J2 - Kwartalnik Historii Kultury Materialnej R. 60 Nr 3 (2012) PY - 2012 IS - 3 EP - 404 KW - Middle Ages-modern period -- Europe KW - urban archaeology KW - trade of cloth in the Middle Ages and modern period KW - cloth seals KW - historical sources A1 - Maćkowski, Tomasz A2 - Szymańska, Izabela. Tł. PB - Instytut Archeologii i Etnologii Polskiej Akademii Nauk VL - 60 CY - Warszawa SP - 395 T1 - Plomby towarowe jako źródło badań historycznych UR - http://www.rcin.org.pl/iae/dlibra/publication/76561 ER - TY - GEN N1 - ill. ; 24 cm N2 - During the inter-war period, Karel Absolon (1877–1960), a specialist in the Palaeolithic, was one of the most famous personalities in Czech archaeology. With his systematic excavations, he not only significantly enriched the collections of the Moravian Museum but also established a specialized workplace and the museum exposition, Anthropos. This exposition is devoted entirely to the history of the Pleistocene, the rise of man and the development of the oldest human culture. Between 1924–1938, Absolon acted as the organizational and professional guarantor of large-scale archaeological excavations at Dolní Věstonice, Předmostí near Přerov, the Pekárna and Býčí skála caves as well as many other smaller ventures. Aided by his extraordinary personality, he contributed to scientific knowledge concerning the development of human culture in the Palaeolithic. As a result of his ability to make use of the media for promotion and his talent for popularizing science, he significantly affected the general cultural history of the inter-war Czechoslovakia. Karel Absolon’s name thus became synonymous with research into the oldest history of man. However, he was also known for his controversial nature; he was not afraid of reaching his goals by methods which were often criticized by his colleagues and contemporaries M3 - Text J2 - Archaeologia Polona Vol. 47 (2009-2011) PY - 2011 EP - 139 KW - Karel Absolon (1877–1960) KW - H. Breuil (1877–1961) KW - V. G. Childe (1892–1957) KW - history of archaeology KW - Czech archaeology KW - Palaeolithic archaeology A1 - Kostrhun, Petr PB - Institute of Archaeology and Ethnology Polish Academy of Sciences VL - 47 CY - Warszawa SP - 91 T1 - Karel Absolon (1877–1960) and the research of significant Palaeolithic sites in Moravia UR - http://www.rcin.org.pl/iae/dlibra/publication/77084 ER - TY - GEN N1 - ill. ; 24 cm M3 - Text J2 - Archaeologia Polona Vol. 47 (2009-2011) PY - 2011 EP - 270 KW - archeologia -- czasopisma A1 - Lech, Jacek (1946– ) A1 - Perlikowska-Puszkarska, Urszula PB - Institute of Archaeology and Ethnology Polish Academy of Sciences VL - 47 CY - Warszawa T1 - In memoriam Hanna Lech (1949–2008) SP - 267 UR - http://www.rcin.org.pl/iae/dlibra/publication/77138 ER - TY - GEN N1 - ill. ; 24 cm N2 - Woodash glass characterized by potassium plus calcium instead of sodium plus calcium was the major type in European Medieval glass production. The exhaustion of sodium-based raw materials from Egypt caused a change to local sources during the Carolingian period. With the invention of Gothic architecture, glass production and the number of glasshouses increased, but the technical experience was limited, the glasshouses working at the lowest possible furnace temperature of 1200 degrees centigrade which required the high potassium concentrations of beech trunks instead of bulk trees. The latter sources with high calcium concentrations characterized the early and late Medieval glass production at higher furnace temperature. Lack of woods in England and France had to be compensated by mixing woodash with fernash. The late Medieval total production of glass panes in Germany was in the range of 30,000 tons M3 - Text J2 - Archaeologia Polona Vol. 45 (2007) PY - 2007 EP - 162 KW - Woodash glass KW - beech trunks KW - fernash KW - late medieval production A1 - Wedepohl, Karl Hans PB - Institute of Archaeology and Ethnology Polish Academy of Sciences VL - 45 CY - Warszawa SP - 155 T1 - The long-term change in composition of Medieval woodash glass UR - http://www.rcin.org.pl/iae/dlibra/publication/77259 ER - TY - GEN N1 - ill. ; 24 cm N2 - The author discusses rhomboid-shaped brooches popular in Late-Medieval Europe and uncommon in Poland. In fact, the number of original items from Poland is larger, but findingsfrom Gdańsk and Elbląg have yet to be published. The Polish specimens were cast from tin or bronze alloys, while those from Western Europe were more frequently made of silver and with the use of sophisticated techniques. Rhomboid-shaped brooches appeared in the West in the 13th century and in Poland in the 14th century M3 - Text J2 - Archaeologia Polona Vol. 45 (2007) PY - 2007 EP - 154 KW - brooch KW - Middle Ages KW - Silesia A1 - Wachowski, Krzysztof PB - Institute of Archaeology and Ethnology Polish Academy of Sciences VL - 45 CY - Warszawa SP - 149 T1 - Ornamenta mediaevalia Silesiae UR - http://www.rcin.org.pl/iae/dlibra/publication/77258 ER - TY - GEN N1 - ill. ; 24 cm N2 - Archaeological research done in Rome in the 1980s left open some questions about Late Medieval and Renaissance pottery production and trade. Many topics were socio-economical questions, e.g., who were these artisans? What technical knowledge or skills were they endowed with? What was their aesthetic culture? which market did they address? The goal of this paper is to show how a close confrontation between material and written sources allows for a better reconstruction of the social reality, in our case the main questions we are dealing with are: the origin of the glazed coating technique and the evolution of this type of coating between 1200 and 1300; the development of style during the following century and throughout all of the 15th century; the actors and the driving force of the revolution that occurred between the 15th and 16th centuries; the production of handmade objects precisely imitating the products of other regions. All these questions are if not answered, then at least renewed with our research M3 - Text J2 - Archaeologia Polona Vol. 44 (2006) PY - 2006 EP - 380 KW - Rome KW - Middle Ages KW - Renaissance KW - pottery industry KW - archaeology KW - social history KW - economic history A1 - Güll, Paolo PB - Institute of Archaeology and Ethnology Polish Academy of Sciences VL - 44 CY - Warszawa SP - 365 T1 - The industry of everyday life: men, economy and society in the material culture of an European capital (13th-16th centuries) UR - http://www.rcin.org.pl/iae/dlibra/publication/77338 ER - TY - GEN N1 - ill. ; 24 cm N2 - This text analyses the so-called "return to things", a movement which appeared in the humanities and human sciences in the late 1990s. The author attempts to move beyond both the positivistic and the semiotic approaches to the description of things and discuss the so-called "new material culture" and "technoscience studies" (Don Ihde's "material hermeneutics") as approaches which inspire this field of inquiry. The author claims that the "enchantment with things" can be placed within the context of the prevailing discourse of the Other and the ongoing attempts to create counter-disciplines, such as counter-history, counter-archaeology, etc. In such counter-disciplines, things, which hitherto have been silent and reduced to passivity, are allowed to speak in their own voice or manifest themselves in their individuality. However, even if scholars claim that things should be incorporated into history as something other than passive recipients of human actions, they appear to remain unable to transcend conventional epistemologies. To illustrate this claim, the author analyses the "biographical" approach to things and concludes that this approach is characterized firstly, by the personification of things that results from anthropocentrism and provides a way of neutralizing the threats posed by nonhuman entities; and secondly, by a kind of genealogical and genetic thinking, which by no means helps us create an alternative epistemology of history but, on the contrary, revives in a different context the fetish of origin. It appears that a discourse in defense of things (and in general of non-humans) is in the end a discourse in defense of the human being. Things are coming to be existential, "stable" markers that help unstable humans to orient themselves in the world M3 - Text J2 - Archaeologia Polona Vol. 44 (2006) PY - 2006 EP - 185 KW - things/objects KW - defense of things KW - agency of things KW - biographies of things KW - ethics of things A1 - Domańska, Ewa PB - Institute of Archaeology and Ethnology Polish Academy of Sciences VL - 44 CY - Warszawa SP - 171 T1 - The return to things UR - http://www.rcin.org.pl/iae/dlibra/publication/77324 ER - TY - GEN N1 - ill. ; 24 cm M3 - Text J2 - Kwartalnik Historii Kultury Materialnej R. 60 Nr 3 (2012) PY - 2012 IS - 3 EP - 488 KW - Muzeum Narodowe w Krakowie. Dział Rzemiosła Artystycznego i Kultury Materialnej (Cracow, Poland) KW - collections of Judaica -- Poland KW - ritual goblets KW - Kiddush goblet KW - Jewish rituals KW - Jewish culture A1 - Paś, Monika A2 - Szymańska, Izabela. Tł. PB - Instytut Archeologii i Etnologii Polskiej Akademii Nauk VL - 60 CY - Warszawa SP - 483 T1 - Kielich do kiduszu w zbiorach Działu Rzemiosła Artystycznego i Kultury Materialnej Muzeum Narodowego w Krakowie UR - http://www.rcin.org.pl/iae/dlibra/publication/76583 ER - TY - GEN N1 - ill. ; 24 cm M3 - Text J2 - Kwartalnik Historii Kultury Materialnej R. 57 Nr 1 (2009) PY - 2009 IS - 1 EP - 91 KW - history of material culture A1 - Liibek, Tõnis PB - Instytut Archeologii i Etnologii Polskiej Akademii Nauk VL - 57 CY - Warszawa SP - 79 T1 - Dokumentacja fotograficzna estońskiej ludności wiejskiej w XIX w. UR - http://www.rcin.org.pl/iae/dlibra/publication/77225 ER - TY - GEN N1 - ill. ; 24 cm N2 - Anthropological writings barely comment on practices of listening and recording that are in fact essential for ethnographic fieldwork. They constitute the foundations of encountering the local environments approached by ethnographers. This research practice then recontextualizes recorded sound in the new settings of academic or commercial repositories. Two case studies from fieldwork in Northern Malawi elucidate ways in which reflective listening and the utilization of technology constitute knowledge generative processes. The example of the recordings entitled “Bicycling through Chibavi” concerns questions of distance and engagement during fieldwork. The case of an experimental recording of vimbuza music constitutes a methodological project of a “situationist event”. The project demonstrates how the subjects of the research performatively navigate between local sound environments. L1 - http://www.rcin.org.pl/iae/Content/122009/PDF/WA308_152210_P366_Ethnography-Listenin_I.pdf M3 - Text J2 - Ethnologia Polona 39 2018 (2019) PY - 2019 EP - 126 KW - anthropology of sounds KW - sound studies KW - technology KW - archive KW - Malawi KW - Africa A1 - Cichocki, Piotr PB - Institute of Archaeology and Ethnology Polish Academy of Sciences VL - 39 CY - Warsaw SP - 109 T1 - Ethnography / Listening / Recording. Sound Environments of the Malawian North and Beyond UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/122009 ER - TY - GEN N1 - ill. ; 24 cm N2 - In this article, I address music – that is, humanly and purposefully organized sound (Blacking 1973; Shelemay 2001) – as a personal, cultural and research experience. Drawing on my experience of learning, researching and performing Indonesian music, I discuss several issues that are pertinent to the ethnomusicological/anthropological study of non-native music-cultures. I examine the concept of bi-musicality, its challenges and limitations; the role of a phenomenological perspective and hermeneutics in conceptualizing the complexities of music experience and meaning in music; and the role of music in shaping identity, especially at the community level. L1 - http://www.rcin.org.pl/iae/Content/122008/PDF/WA308_152208_P366_Indonesian-Music-Cul_I.pdf M3 - Text J2 - Ethnologia Polona 39 2018 (2019) PY - 2019 EP - 90 KW - ethnomusicology KW - music anthropology KW - Indonesian music KW - Christian music KW - musical meaning KW - intonation KW - reflexivity KW - experience of music KW - identity and music A1 - Popławska, Marzanna PB - Institute of Archaeology and Ethnology Polish Academy of Sciences VL - 39 CY - Warsaw SP - 71 T1 - Indonesian Music-Culture as a Personal and Research Experience UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/122008 ER - TY - GEN N1 - ill. ; 24 cm N2 - This article describes the sound project “Floating Herstories” in all its levels: from its conception and development, to its trial in the field on the island of Trinidad, in the Republic of Trinidad and Tobago, West Indies. Inspired by the childhood experience of hearing a shell on Caribbean seashores, this sound work uses seashells as the medium to transmit stories narrated by women authors from Trinidad. Co-written by its two authors, this article describes the multidisciplinary construction of the project, involving the participation of the three narrators of the soundtrack. Following a situated heritage of storytelling, “Floating Herstories” aims to tell stories collected poetically by the Caribbean Sea. The trial with the finished prototype conveyed the reactions of the population in situ, from which we gathered some meanings about the experience of both telling a story and listening to one. On this basis, the article sets out some questions about the value of silence and selected sound in a familiar or estranged context. L1 - http://www.rcin.org.pl/iae/Content/122007/PDF/WA308_152207_P366_The-Floating-Herstor_I.pdf M3 - Text J2 - Ethnologia Polona 39 2018 (2019) PY - 2019 EP - 70 KW - Trinidad & Tobago KW - seashell KW - audio-electronics KW - orality KW - art-anthropology KW - morphology A1 - Gugolati, Maica A1 - Ramirez, Jorge PB - Institute of Archaeology and Ethnology Polish Academy of Sciences VL - 39 CY - Warsaw SP - 51 T1 - The “Floating Herstories” Sound Project: a Helical Collaborative Process UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/122007 ER - TY - GEN N1 - ill. ; 24 cm N2 - This article examines the essential role of reverberation in everyday spatial experience and argues that the perception and production of reverberation – along with the related concepts of resonance and echo – is an example of an innate mimetic capacity residing in both living beings and seemingly inert matter. Reverberation, and acoustic experience more generally, are explored in relation to urban space, with attention paid to the transformation of sense experience in modernity. Drawing on a range of authors, with reference to the work of Walter Benjamin in particular, this article proceeds from a primarily theoretical level to that of concrete human experience, with the example of buskers (street musicians) who perform in the highly reverberant spaces of Montreal’s underground metro system. Drawing on the author’s ethnographic research among metro musicians, this article demonstrates that reverberation is a vital element in busker practices and experience, and argues that, in their practices and in their effects on space and passersby, metro buskers make evident – make perceptible – the mimetically reverberant relations between body and space, and between self and other. L1 - http://www.rcin.org.pl/iae/Content/122006/PDF/WA308_152203_P366_Reverberation-as-Mim_I.pdf M3 - Text J2 - Ethnologia Polona 39 2018 (2019) PY - 2019 EP - 50 KW - reverberation KW - resonance KW - mimesis KW - acoustic perception KW - busker KW - metro musician KW - architectural acoustics KW - urban space A1 - Wees, Nick PB - Institute of Archaeology and Ethnology Polish Academy of Sciences VL - 39 CY - Warsaw SP - 31 T1 - Reverberation as Mimetic Replication: Urban Space, Metro Buskers and Acoustic Experience UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/122006 ER -