TY - GEN N1 - ill. ; 24 cm N2 - In this article, I address music – that is, humanly and purposefully organized sound (Blacking 1973; Shelemay 2001) – as a personal, cultural and research experience. Drawing on my experience of learning, researching and performing Indonesian music, I discuss several issues that are pertinent to the ethnomusicological/anthropological study of non-native music-cultures. I examine the concept of bi-musicality, its challenges and limitations; the role of a phenomenological perspective and hermeneutics in conceptualizing the complexities of music experience and meaning in music; and the role of music in shaping identity, especially at the community level. L1 - http://www.rcin.org.pl/iae/Content/122008/PDF/WA308_152208_P366_Indonesian-Music-Cul_I.pdf M3 - Text J2 - Ethnologia Polona 39 2018 (2019) PY - 2019 EP - 90 KW - ethnomusicology KW - music anthropology KW - Indonesian music KW - Christian music KW - musical meaning KW - intonation KW - reflexivity KW - experience of music KW - identity and music A1 - Popławska, Marzanna PB - Institute of Archaeology and Ethnology Polish Academy of Sciences VL - 39 CY - Warsaw SP - 71 T1 - Indonesian Music-Culture as a Personal and Research Experience UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/122008 ER -