Subtitle:

Vol. 2 (2015) - Special Issue - English Edition

Publisher:

IBL PAN

Place of publishing:

Warszawa

Description:

21 cm ; Pol. text, eng. summary

Type of object:

Journal/Article

References:

1. R. Barthes, “La peinture est-elle un langage?,” in Oeuvres complètes, vol. 3 (Paris: Seuil, 2002).
2. Kurt Schwitters, Raoul Hausmann and the story of PIN, introduced by J. Reichardt, designed by A. Lovell (London: Gaberbocchus Press, 1962).
3. J. Milton, Paradise Lost: The Verse, accessed August 20, 2015, http://www.bartleby.com/4/400.html.
4. A. Pruszyński, Dobre maniery Stefana Themersona (Gdańsk: słowo/obraz terytoria, 2005).
5. A. Pruszyński, “O grach intersemiotycznych Stefana Themersona,” in Archiwum Themersonów w Polsce, eds. A. Dziadek and D. Rott (Katowice, 2003), 33-74.
6. R. Queneau, Oulipo, la littérature potentielle (Paris: Gallimard, 1973).
7. S. Themerson, Apollinaire’s Lyrical Ideograms (London: Gaberbocchus Press, 1968).
8. S. Themerson, Jankel Adler. An Artist Seen from One of Many Possible Angles. With Twelve Full Page Drawings by Jankel Adler (London: Gaberbocchus Press, 1948).
9. S. Themerson, Kurt Schwitters in England: 1940-1948 (London: Gaberbocchus Press, 1958).
10. S. Themerson, Kurt Schwitters on a Time Chart, Typographica, 16 (1967).
11. S. Themerson, Semantic Divertissements (London: Gaberbocchus Press, 1962).
12. S. Themerson, St Francis and the Wolf of Gubbio (London and Amsterdam: De Harmonie, 1972).

Relation:

Teksty Drugie

Issue:

2

Start page:

191

End page:

199

Detailed Resource Type:

Article : original article

Format:

application/pdf

Resource Identifier:

oai:rcin.org.pl:62215 ; 0867-0633 ; 10.18318/td.2015.en.2.12

Source:

IBL PAN, call no. P.I.2524 ; click here to follow the link

Language:

pol

Language of abstract:

eng

Rights:

Rights Reserved - Restricted Access

Terms of use:

Copyright-protected material. Access only on terminals at the Institute of Literary Research of the Polish Academy of Sciences, may be used within the limits of statutory user freedoms.

Original in:

Library of the Institute of Literary Research PAS

Projects co-financed by:

Ministry of Science and Higher Education

Access:

Closed