Muzyczne imaginarium Erazma z Rotterdamu

The article is devoted to the ideas about music reconstructed on the basis of Erasmus of Rotterdam’s writings. The humanist’s musical imagery includes mainly reflections on the role of the art of sound in education, religious formation, liturgy, and social life. The attention he paid to this form of human activity was related to a programme of moral renewal (renascentia) derived from ancient and patristic traditions. In this approach, however, the pragmatic functions of music are also a key element of his humanistic narrative, later exploited and developed in the writings of the sixteenth-century Church reformers.

Bertoglio C., Music and the Religious Reformations of the Sixteenth Century, Berlin 2017
Culley T. D., McNaspy C., Music and the Early Jesuits (1540–1565), „Archivum Historicum Societatis Iesu”, 40, 1971, s. 213–245
Fleinghaus H., Die Musikanschauung des Erasmus von Rotterdam, Regensburg 1984 (Kölner Beiträge zur Musikforschung, Bd. 135)
Galiano C., Bellarmino, i Gesuiti e la Musica in Italia fra Cinquee Seicento, w: Roberto Bellarmino, Arcivescovo di Capua, Teologo e Pastore della Riforma Cattolica. Atti del Convegno Internazionale di Studi Capua 28 settembre – 1 ottobre 1988, a cura di G. Galeota, Capua 1990, s. 365–457
Huizinga J., Erasmus and the Age of Reformation; with a Selection from the Letters of Erasmus, transl. from the Dutch by F. Hopman, the selection from the letters transl. by B. Flower, Princeton 1984
Hyun-Ah K., Erasmus on Sacred Music, „Reformation & Renaissance Review”, 8, 2006, s. 277–301
Jeż T., Filipa Melanchtona myśl o muzyce i jej rola w kształtowaniu kultury muzycznej humanistycznego Wrocławia, OiRwP, 65, 2021, s. 75–98
Lambert E., “In corde iubilum”. Music in Calvin’s Institutes of the Christian Religion, „Reformation & Renaissance Review”, 14, 2012, 3, s. 269–287
Leaver R. A., The Reformation and Music, w: European Music 1520–1642, ed. by J. Haar, Woodbridge 2006, s. 371–400
Lockwood L., Vincenzo Ruffo and Musical Reform after the Council of Trent, „The Musical Quarterly”, 43, 1957, 3, s. 342–371
Loewe J. A., ‘Musica est optimum’: Martin Luther’s Theory of Music, „Music & Letters”, 94, 2013, 4, s. 573–605
Margolin J.-C., Érasme et la musique, Paris 1965
Miller C. A., Erasmus on Music, „The Musical Quarterly”, 52, 1966, 3, s. 332–349
Monson C., The Council of Trent Revisited, „Journal of the American Musicological Society”, 55, 2002, 1, s. 1–37
Wegman R. C., Obrecht and Erasmus, „Journal of the Alamire Foundation”, 3, 2011, 1, s. 109–123
Weinmann K., Church Music and the Council of Trent, „The Musical Quarterly”, 39, 1953, 4, s. 576–594
Willis J., Church Music and Protestantism in Post-Reformation England: Discourses, Sites and Identities, London etc. 2016