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<dc:title xml:lang="en"><![CDATA[Literatura cyfrowa w kontekście kultury uczestnictwa]]></dc:title>
<dc:title xml:lang="pl"><![CDATA[Literatura cyfrowa w kontekście kultury uczestnictwa]]></dc:title>
<dc:creator><![CDATA[Pawlicka, Urszula]]></dc:creator>
<dc:subject xml:lang="en"><![CDATA[participatory culture]]></dc:subject>
<dc:subject xml:lang="en"><![CDATA[text]]></dc:subject>
<dc:subject xml:lang="en"><![CDATA[digital literature]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[kultura uczestnictwa]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[tekst]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[literatura cyfrowa]]></dc:subject>
<dc:description xml:lang="en"><![CDATA[453 pp.]]></dc:description>
<dc:description xml:lang="pl"><![CDATA[453 s.]]></dc:description>
<dc:publisher><![CDATA[Instytut Badań Literackich]]></dc:publisher>
<dc:publisher><![CDATA[Fundacja Akademia Humanistyczna]]></dc:publisher>
<dc:date><![CDATA[2016]]></dc:date>
<dc:type xml:lang="en"><![CDATA[Text]]></dc:type>
<dc:type xml:lang="pl"><![CDATA[Tekst]]></dc:type>
<dc:format xml:lang="en"><![CDATA[application/pdf]]></dc:format>
<dc:format xml:lang="pl"><![CDATA[application/pdf]]></dc:format>
<dc:identifier><![CDATA[10.18318/978-83-65573-14-8.3]]></dc:identifier>
<dc:identifier><![CDATA[https://rcin.org.pl/dlibra/publication/82887/edition/62974/content]]></dc:identifier>
<dc:identifier><![CDATA[oai:rcin.org.pl:62974]]></dc:identifier>
<dc:language><![CDATA[pol]]></dc:language>
<dc:relation><![CDATA[1. Biggs Simon (2012) Remediating the Social, w: Remediating the Social, ed. S. Biggs, Bergen: ELMCIP, University of Bergen, s. 11-14, http://www.elmcip.net/story/remediating-social-e-book-released (10.11.2013).]]></dc:relation>
<dc:relation><![CDATA[2. Biggs Simon, Travlou, Penny (2010) Distributed Authorship and Creative Communities, „Dichtung digital” no. 41, http://www.dichtung-digital.org/2012/41/biggs-travlou.htm, (11.10.2013).]]></dc:relation>
<dc:relation><![CDATA[3. Cabell Mimi, Cayley John i in. (2012) Invisible Participation: Language and the Internet, w: Remediating the Social, ed. S. Biggs, Bergen: ELMCIP, University of Bergen, s. 134-137, http://www.elmcip.net/story/remediating-social-e-book-released (10.11.2013).]]></dc:relation>
<dc:relation><![CDATA[4. Celiński Piotr (2013) Postmedia. Cyfrowy kod i bazy danych. Lublin: Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej.]]></dc:relation>
<dc:relation><![CDATA[5. Dróżdż Andrzej (2009) Od liber mundi do hipertekstu. Książka w świecie utopii. Warszawa: Biblioteka Analiz.]]></dc:relation>
<dc:relation><![CDATA[6. Electronic Literature Organization CELL Consortium on Electronic Literature, http://eliterature.org/cell/ (10.12.2013).]]></dc:relation>
<dc:relation><![CDATA[7. Electronic Literature Organization, Electronic Literature Collection, 2006 Volume 1, 2011 Volume 2, http://collection.eliterature.org/ (10.12.2013).]]></dc:relation>
<dc:relation><![CDATA[8. ELMCIP (2012) Anthology of European Electronic Literature, http://anthology.elmcip.net/ (10.12.2013).]]></dc:relation>
<dc:relation><![CDATA[9. Fischer Gerhard (2011) Understanding, Fostering, and Supporting Cultures of Participation, „Interactions” vol. 18, no. 3, s. 42-53, http://l3d.cs.colorado.edu/~gerhard/papers/2011/interactions-coverstory.pdf (12.11.2013).]]></dc:relation>
<dc:relation><![CDATA[10. Fischer Gerhard (2012) Cultures of Participation, http://www.uni-siegen.de/infme/start_ifm/downloads/tagungen/slides-cultures-of-participation-siegen_fischer.pdf (12.11.2013).]]></dc:relation>
<dc:relation><![CDATA[11. Flores Leonardo (29.12.2012) Taroko Gorge [2012 remix] by Nick Montfort, http://iloveepoetry.com/?p=121 (13.10.2013).]]></dc:relation>
<dc:relation><![CDATA[12. Flores Leonardo (02.01.2013) Sea and Spar Between by Nick Montfort and Stephanie Strickland, http://iloveepoetry.com/?p=117 (13.10.2013).]]></dc:relation>
<dc:relation><![CDATA[13. Fuller Matthew (ed.) (2008) Software Studies: A Lexicon, Cambridge: The MIT Press.]]></dc:relation>
<dc:relation><![CDATA[14. Funkhouser Chris (2007) Prehistoric Digital Poetry. An Archeology of Forms, 1959-1995. Tuscaloosa: University of Alabama Press.]]></dc:relation>
<dc:relation><![CDATA[15. Gibson Steve (2008) Introduction: Why Transdisciplinary Digital Art?, w: Transdisciplinary Digital Art. Sound, Vision and the New Screen, ed. R. Adams,]]></dc:relation>
<dc:relation><![CDATA[16. S. Gibson, S. Müller Arisona. Heidelberg: Springer-Verlag Publications, s. 1-2.]]></dc:relation>
<dc:relation><![CDATA[17. Glazier Loss Pequeno (2002) Digital Poetics: The Making of E-Poetries. Tuscaloosa: The University of Alabama Press.]]></dc:relation>
<dc:relation><![CDATA[18. Grigar Dene (28.12.2008) Electronic Literature: Where Is It?, „Electronic Book Review”, http://www.electronicbookreview.com/thread/technocapitalism/invigorating (10.09.2013).]]></dc:relation>
<dc:relation><![CDATA[19. Grigar Dene (2009) The 24-Hr. Micro-Elit Project. 24-Hrs. 24 Stories. All on Twitter, http://www.nouspace.net/dene/24hr/24-Hr._Micro-Elit_Project/Home.html (20.10.2013).]]></dc:relation>
<dc:relation><![CDATA[20. Grossman Samantha (16.06.2013) The Meme as Art: Painter Sophisticates Cyberculture, http://newsfeed.time.com/2013/06/16/the-meme-as-artpainter-sophisticates-cyberculture/ (09.10.2013).]]></dc:relation>
<dc:relation><![CDATA[21. Hayles N. Katherine (02.01.2007) Electronic Literature: What Is It?, http://eliterature.org/pad/elp.html (10.09.2013).]]></dc:relation>
<dc:relation><![CDATA[22. Hopfinger Maryla (2010) Literatura i media po 1989 roku. Warszawa: Oficyna Naukowa.]]></dc:relation>
<dc:relation><![CDATA[23. Keen Andrew (2007) Kult amatora. Jak internet niszczy kulturę, przeł. M. Bernatowicz, K. Topolska-Gharini. Warszawa: Wydawnictwa Akademickie i Profesjonalne.]]></dc:relation>
<dc:relation><![CDATA[24. Knibbs Kate (23.06.2013) Are Memes the Pop Culture Art of our Era?, http://www.digitaltrends.com/social-media/when-does-a-meme-become-art/(9.10.2013).]]></dc:relation>
<dc:relation><![CDATA[25. Jenkins Henry (2007) Kultura konwergencji. Zderzenie starych i nowych mediów, przeł. M. Bernatowicz, M. Filiciak. Warszawa: Wydawnictwa Akademickie i Profesjonalne.]]></dc:relation>
<dc:relation><![CDATA[26. Jenkins Henry (2009) Confronting the Challenges of Participatory Culture: Media Education of the 21st Century. Cambridge: The MIT Press.]]></dc:relation>
<dc:relation><![CDATA[27. Karpinska, Aya, Howe Daniel C. (2007) No Time Machine, http://turbulence.org/Works/notime/about.html (18.10.2013).]]></dc:relation>
<dc:relation><![CDATA[28. Kluszczyński Ryszard (2010) Sztuka interaktywna. Od dzieła-instrumentu do interaktywnego spektaklu. Warszawa: Wydawnictwa Akademickie i Profesjonalne.]]></dc:relation>
<dc:relation><![CDATA[29. Lessig Lawrence (2009) Remiks. Aby sztuka i biznes rozkwitały w hybrydowej gospodarce, przeł. R. Próchniak. Warszawa: Wydawnictwa Akademickie i Profesjonalne.]]></dc:relation>
<dc:relation><![CDATA[30. Levinson Paul (2010) Nowe nowe media, przeł. M. Zawadzka. Kraków: Wydawnictwo WAM.]]></dc:relation>
<dc:relation><![CDATA[31. Malloy Judy (01.12.2012) Uncle Roger – World Wide Web Edition, http://www.well.com/user/jmalloy/uncleroger/partytop.html (10.10.2012).]]></dc:relation>
<dc:relation><![CDATA[32. Malloy Judy (b.r. A) The BASIC Uncle Roger – Beta Version_2, http://www. well.com/user/jmalloy/uncleroger/uncle_readme.html (10.10.2012).]]></dc:relation>
<dc:relation><![CDATA[33. Malloy Judy (b.r. B), How new media writers create their work. Nick Montfort and Stephanie Strickland Sea and Spar Between, http://www.narrabase.net/montfort_strickland.html (13.10.2013).]]></dc:relation>
<dc:relation><![CDATA[34. Manovich Lev (2013) Software Takes Command. New York-London: Bloomsbury.]]></dc:relation>
<dc:relation><![CDATA[35. Marshall Cathy, Malloy Judy (b.r.) Forward Anywhere, http://www.eastgate.com/catalog/ForwardAnywhere.html (10.10.2012).]]></dc:relation>
<dc:relation><![CDATA[36. Montfort Nick (2009) Taroko Gorge, http://nickm.com/poems/taroko_gorge.html (13.10.2013).]]></dc:relation>
<dc:relation><![CDATA[37. Montfort Nick, Strickland, Stephanie (2011) How to Read Sea and Spar Between, http://nickm.com/montfort_strickland/sea_and_spar_between/ reading.html (11.10.2013).]]></dc:relation>
<dc:relation><![CDATA[38. Montfort Nick (2012) Programming for Fun, Together, w: Remediating the Social, ed. S. Biggs, Bergen: ELMCIP, University of Bergen, s. 15-19, http://www.elmcip.net/story/remediating-social-e-book-released (10.11.2013).]]></dc:relation>
<dc:relation><![CDATA[39. Moulthrop Stuart (b.r.) Where To? A Review of Forward Anywhere by Judy Malloy and Cathy Marshall, http://www.eastgate.com/reviews/Moulthrop.html (10.10.2012).]]></dc:relation>
<dc:relation><![CDATA[40. Pisarski Mariusz (2012) Tomasz Pułka kontra Google, http://www.ha.art.pl/prezentacje/27-proza/2584-tomasz-pulka-kontra-google.html (20.10.2013).]]></dc:relation>
<dc:relation><![CDATA[41. Pollack Barbara (06.01.2011) The Social Revolution, http://www.artnews. com/2011/06/01/the-social-revolution/ (10.10.2013).]]></dc:relation>
<dc:relation><![CDATA[42. Redakcja Korporacja Ha!art (2012) Redakcja – Tomasz Pułka kontra Google. Darmowe warsztaty sieciowej literatury generatywnej według Johna Cayley’a, http://www.ha.art.pl/wiadomosci/2556 (20.10.2013).]]></dc:relation>
<dc:relation><![CDATA[43. Rettberg Scott (2009) Communitizing Electronic Literature, „Digital Humanities” vol. 3, no. 2, http://digitalhumanities.org/dhq/vol/3/2/000046/000046.html (02.11.2013).]]></dc:relation>
<dc:relation><![CDATA[44. Rettberg Scott (2012) Developing an Identity for the Field of Electronic Literature. Reflections on the Electronic Literature Organization Archives, „Dichtung digital” no. 41, http://www.dichtung-digital.de/en/journal/archiv/?postID=252 (02.11.2013).]]></dc:relation>
<dc:relation><![CDATA[45. Rettberg Scott, Tomaszek, Patricia (2012) Electronic Literature Communities, Part 1, „Dichtung digital” no. 41, http://dichtung-digital.de/editorial/2012_41.htm (02.11.2013).]]></dc:relation>
<dc:relation><![CDATA[46. Simanowski Roberto (2010) Teaching Digital Literature. Didactic and Institutional Aspects. w: Reading Moving Letters, ed. R. Simanowski, J. Schäfer, P. Gendolla, Bielefeld: Transcript Verlag, s. 231-248.]]></dc:relation>
<dc:relation><![CDATA[47. Strehovec Janez (2012) Derivative Writing. E-literature in the World of New Social and Economic Paradigms, w: Remediating the Social, ed. S. Biggs, s. 79-83, http://www.elmcip.net/story/remediating-social-e-book-released (10.11.2013).]]></dc:relation>
<dc:relation><![CDATA[48. Święćkowska Teresa (2008) Wolne oprogramowanie i Open Access. Utopie internetowe czy fenomeny informacyjnego kapitalizmu?, w: Spotkania z utopią w XXI wieku, red. P. Żuk, Warszawa: Oficyna Naukowa.]]></dc:relation>
<dc:relation><![CDATA[49. Zawojski Piotr (2012) Cyberkultura. Syntopia sztuki, nauki i technologii. Katowice: POLTEXT.]]></dc:relation>
<dc:relation><![CDATA[Prace Centrum Humanistyki Cyfrowej]]></dc:relation>
<dc:relation><![CDATA[oai:rcin.org.pl:publication:82887]]></dc:relation>
<dc:rights xml:lang="en"><![CDATA[Rights Reserved - Free Access]]></dc:rights>
<dc:rights xml:lang="pl"><![CDATA[Prawa zastrzeżone - dostęp nieograniczony]]></dc:rights>
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