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<dc:title xml:lang="en"><![CDATA[Teksty Drugie Nr 1 (2014)]]></dc:title>
<dc:title xml:lang="en"><![CDATA[Krajobrazy postpamięci]]></dc:title>
<dc:title xml:lang="pl"><![CDATA[Teksty Drugie Nr 1 (2014)]]></dc:title>
<dc:title xml:lang="pl"><![CDATA[Krajobrazy postpamięci]]></dc:title>
<dc:creator><![CDATA[Szczepan, Aleksandra]]></dc:creator>
<dc:subject xml:lang="en"><![CDATA[postmemory]]></dc:subject>
<dc:subject xml:lang="en"><![CDATA[landscape]]></dc:subject>
<dc:subject xml:lang="en"><![CDATA[Europa Wschodnia]]></dc:subject>
<dc:subject xml:lang="en"><![CDATA[Europa Centralna]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[postpamięć]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[krajobraz]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[Eastern Europe]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[Central Europe]]></dc:subject>
<dc:description xml:lang="en"><![CDATA[21 cm]]></dc:description>
<dc:description xml:lang="en"><![CDATA[Pol. text, eng. summary]]></dc:description>
<dc:description xml:lang="pl"><![CDATA[21 cm]]></dc:description>
<dc:description xml:lang="pl"><![CDATA[Tekst pol., streszcz. ang.]]></dc:description>
<dc:publisher><![CDATA[IBL PAN]]></dc:publisher>
<dc:date><![CDATA[2014]]></dc:date>
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<dc:identifier><![CDATA[0867-0633]]></dc:identifier>
<dc:identifier><![CDATA[https://rcin.org.pl/dlibra/publication/78435/edition/59512/content]]></dc:identifier>
<dc:identifier><![CDATA[oai:rcin.org.pl:59512]]></dc:identifier>
<dc:source xml:lang="en"><![CDATA[IBL PAN, call no. P.I.2524]]></dc:source>
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<dc:source xml:lang="pl"><![CDATA[IBL PAN, sygn. P.I.2524]]></dc:source>
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<dc:language><![CDATA[pol]]></dc:language>
<dc:relation><![CDATA[Teksty Drugie]]></dc:relation>
<dc:relation><![CDATA[1. J. Adams, Cities under a sky of mud: landscapes of mourning in Holocaust texts, w: Land and identity: theory, memory, and practice, ed. Ch. Berberich, N. Campbell, Rodopi, Amsterdam 2012, s. 146.]]></dc:relation>
<dc:relation><![CDATA[2. D. Apel, Memory effects: the Holocaust and the art of secondary witnessing, Rutgers University Press, New Brunswick–London 2002, s. 219.]]></dc:relation>
<dc:relation><![CDATA[3. U. Baer, Spectral evidence. The photography of trauma, The MIT Press, Cambridge–London 2002, s. 72.]]></dc:relation>
<dc:relation><![CDATA[4. K. Ball, For and against the „Bilderverbot”: the rhetoric of „Unrepresentability” and remediated „Authenticity” in the German reception of Steven Spielberg’s „Schindler’s List”, w: Visualizing the Holocaust: Documents, aesthetics, memory, ed. D. Bathrick, B. Prager, M.D. Richardson, Camden House, Rochester 2008, s. 163-185.]]></dc:relation>
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<dc:relation><![CDATA[7. C. Brink, Secular icons: looking at photographs from Nazi concentration camps, „History and Memory” 2000 vol. 12, no. 1, s. 137.]]></dc:relation>
<dc:relation><![CDATA[8. J. Cayrol, Nuit et brouillard, Fayard, Paris 1997, s. 17, 21; cyt. za: G. Didi-Huberman, Obrazy mimo wszystko, s. 162.]]></dc:relation>
<dc:relation><![CDATA[9. T. Cole, Crematoria, barracks, gateway: survivors’ return visits to the memory landscapes of Auschwitz, „History and Memory” 2013 vol. 25, no. 2.]]></dc:relation>
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<dc:relation><![CDATA[15. M.B. Hansen, Schindler’s List is not Shoah: the second commandment, popular modernism, and public memory, „Critical Inquiry” 1996 vol. 22, no. 2, s. 300-302]]></dc:relation>
<dc:relation><![CDATA[16. G. Hartman, The longest shadow, Indiana University Press, Bloomington 1996, s. 152.]]></dc:relation>
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<dc:relation><![CDATA[19. M. Hirsch, L. Spitzer, Ghosts of home: the afterlife of Czernowitz in Jewish memory, University of California Press, Berkeley–London 2010, s. 230.]]></dc:relation>
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<dc:relation><![CDATA[42. R. Sendyka, Pryzma – zrozumieć nie-miejsce pamięci, „Teksty Drugie” 2013 nr 1/2.]]></dc:relation>
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<dc:relation><![CDATA[oai:rcin.org.pl:publication:78435]]></dc:relation>
<dc:rights xml:lang="en"><![CDATA[Rights Reserved - Free Access]]></dc:rights>
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