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<dc:title xml:lang="en"><![CDATA[Teksty Drugie Nr 4 (2023)]]></dc:title>
<dc:title xml:lang="en"><![CDATA[Plagiat jako przechwycenie]]></dc:title>
<dc:title xml:lang="pl"><![CDATA[Teksty Drugie Nr 4 (2023)]]></dc:title>
<dc:title xml:lang="pl"><![CDATA[Plagiat jako przechwycenie]]></dc:title>
<dc:creator><![CDATA[Zaleski, Marek]]></dc:creator>
<dc:subject xml:lang="en"><![CDATA[plagiarism]]></dc:subject>
<dc:subject xml:lang="en"><![CDATA[influence]]></dc:subject>
<dc:subject xml:lang="en"><![CDATA[allegatio]]></dc:subject>
<dc:subject xml:lang="en"><![CDATA[intertextuality]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[plagiat]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[wpływ]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[allegatio]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[intertekstualność]]></dc:subject>
<dc:description xml:lang="en"><![CDATA[21 cm]]></dc:description>
<dc:description xml:lang="en"><![CDATA[Pol. text, eng. summary]]></dc:description>
<dc:description xml:lang="pl"><![CDATA[21 cm]]></dc:description>
<dc:description xml:lang="pl"><![CDATA[Tekst pol., streszcz. ang.]]></dc:description>
<dc:publisher><![CDATA[IBL PAN]]></dc:publisher>
<dc:date><![CDATA[2023]]></dc:date>
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<dc:type xml:lang="pl"><![CDATA[Tekst]]></dc:type>
<dc:identifier><![CDATA[0867-0633]]></dc:identifier>
<dc:identifier><![CDATA[10.18318/td.2023.4.3]]></dc:identifier>
<dc:identifier><![CDATA[https://rcin.org.pl/dlibra/publication/275896/edition/239630/content]]></dc:identifier>
<dc:identifier><![CDATA[oai:rcin.org.pl:239630]]></dc:identifier>
<dc:source xml:lang="en"><![CDATA[IBL PAN, call no. P.I.2524]]></dc:source>
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<dc:source xml:lang="pl"><![CDATA[IBL PAN, sygn. P.I.2524]]></dc:source>
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<dc:language><![CDATA[pol]]></dc:language>
<dc:relation><![CDATA[Teksty Drugie]]></dc:relation>
<dc:relation><![CDATA[1. Bal M., Quoting Caravaggio: Contemporary Art, Preposterous History , The University of Chicago Press, Chicago 199]]></dc:relation>
<dc:relation><![CDATA[2. Clemens J., The Uses of Plagiarism (cyt.za: https://www.academia.edu/4492522/The_uses_of_plagiarism]]></dc:relation>
<dc:relation><![CDATA[3. Hutcheon L., Literary Borrowing sand Stealing: Plagiarism, Sources, Influences, And Intertext, "English Studies in Canad",, vol. XII, issue 2 , June 1986]]></dc:relation>
<dc:relation><![CDATA[4. Jakubowiak M., Nieuchronność plagiatu, Wydawnictwo Instytutu Badań Literackich, Warszawa 2017]]></dc:relation>
<dc:relation><![CDATA[5. Kaminer W., Word Crimes and Misdeameanors, "The Wilson Quarterly", 2007, vol.31. nr 2]]></dc:relation>
<dc:relation><![CDATA[6. Lethem J., The Ecxtasy of Influence, Harper's Magazine, February 1, 2007]]></dc:relation>
<dc:relation><![CDATA[7. Lobanov-Rostovsky S., The Death of the Plagiarist w: "angelaki. journal of the theoretical humanities", volume 14 number 1 april 2009]]></dc:relation>
<dc:relation><![CDATA[8. Łukasiewicz M., Jak być artystą na przykładzie Tomasza Manna, Wydawnictwo "Więź", Warszawa 2011]]></dc:relation>
<dc:relation><![CDATA[9. Mallon T., Stolen Words. Forays into the Origins and Ravages of Plagiarism, New York, Harcourt, 1989]]></dc:relation>
<dc:relation><![CDATA[10. Margański J., Co zrobić z cytatami u Gombrowicza, "Pamiętnik Literacki" 1995 , z.1,]]></dc:relation>
<dc:relation><![CDATA[11. Michałowski P., Nieuchwytność nieuchronnego plagiatu, "Teksty Drugie" 2019, nr 1]]></dc:relation>
<dc:relation><![CDATA[12. Mościcki P., My też mamy już przeszłość. Guy Debord i historia jako pole bitwy, Wydawnictwo Bęc zmiana i Wydawnictwo Instytutu Badań Literackich PAN, Warszawa 2015]]></dc:relation>
<dc:relation><![CDATA[13. Ricks Ch., Allusion to the Poets, Oxford University Press, Oxford-New York 2002]]></dc:relation>
<dc:relation><![CDATA[14. Swoboda T., Deformacje nowoczesności, Officyna Naukowa, Łódź 2021]]></dc:relation>
<dc:relation><![CDATA[oai:rcin.org.pl:publication:275896]]></dc:relation>
<dc:rights xml:lang="en"><![CDATA[Creative Commons Attribution BY 4.0 license]]></dc:rights>
<dc:rights xml:lang="pl"><![CDATA[Licencja Creative Commons Uznanie autorstwa 4.0]]></dc:rights>
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