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<dc:title xml:lang="en"><![CDATA[Indonesian Music-Culture as a Personal and Research Experience]]></dc:title>
<dc:title xml:lang="en"><![CDATA[Ethnologia Polona 39 2018 (2019)]]></dc:title>
<dc:title xml:lang="pl"><![CDATA[Indonesian Music-Culture as a Personal and Research Experience]]></dc:title>
<dc:title xml:lang="pl"><![CDATA[Ethnologia Polona 39 2018 (2019)]]></dc:title>
<dc:creator><![CDATA[Popławska, Marzanna]]></dc:creator>
<dc:subject xml:lang="en"><![CDATA[ethnomusicology]]></dc:subject>
<dc:subject xml:lang="en"><![CDATA[music anthropology]]></dc:subject>
<dc:subject xml:lang="en"><![CDATA[Indonesian music]]></dc:subject>
<dc:subject xml:lang="en"><![CDATA[Christian music]]></dc:subject>
<dc:subject xml:lang="en"><![CDATA[musical meaning]]></dc:subject>
<dc:subject xml:lang="en"><![CDATA[intonation]]></dc:subject>
<dc:subject xml:lang="en"><![CDATA[reflexivity]]></dc:subject>
<dc:subject xml:lang="en"><![CDATA[experience of music]]></dc:subject>
<dc:subject xml:lang="en"><![CDATA[identity and music]]></dc:subject>
<dc:subject xml:lang="pl"><![CDATA[etnologia -- czasopisma]]></dc:subject>
<dc:description xml:lang="en"><![CDATA[ill. ; 24 cm]]></dc:description>
<dc:description xml:lang="en"><![CDATA[In this article, I address music – that is, humanly and purposefully organized sound (Blacking 1973; Shelemay 2001) – as a personal, cultural and research experience. Drawing on my experience of learning, researching and performing Indonesian music, I discuss several issues that are pertinent to the ethnomusicological/anthropological study of non-native music-cultures. I examine the concept of bi-musicality, its challenges and limitations; the role of a phenomenological perspective and hermeneutics in conceptualizing the complexities of music experience and meaning in music; and the role of music in shaping identity, especially at the community level.]]></dc:description>
<dc:description xml:lang="pl"><![CDATA[il. ; 24 cm]]></dc:description>
<dc:description xml:lang="pl"><![CDATA[In this article, I address music – that is, humanly and purposefully organized sound (Blacking 1973; Shelemay 2001) – as a personal, cultural and research experience. Drawing on my experience of learning, researching and performing Indonesian music, I discuss several issues that are pertinent to the ethnomusicological/anthropological study of non-native music-cultures. I examine the concept of bi-musicality, its challenges and limitations; the role of a phenomenological perspective and hermeneutics in conceptualizing the complexities of music experience and meaning in music; and the role of music in shaping identity, especially at the community level.]]></dc:description>
<dc:publisher><![CDATA[Institute of Archaeology and Ethnology Polish Academy of Sciences]]></dc:publisher>
<dc:date><![CDATA[2019]]></dc:date>
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<dc:identifier><![CDATA[0137-4079]]></dc:identifier>
<dc:identifier><![CDATA[DOI: 10.23858/EthP39.2018.005]]></dc:identifier>
<dc:identifier><![CDATA[https://rcin.org.pl/dlibra/publication/152208/edition/122008/content]]></dc:identifier>
<dc:identifier><![CDATA[oai:rcin.org.pl:122008]]></dc:identifier>
<dc:source xml:lang="en"><![CDATA[IAiE PAN, call no. P 366]]></dc:source>
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<dc:source xml:lang="pl"><![CDATA[IAiE PAN, sygn. P 367]]></dc:source>
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<dc:language><![CDATA[eng]]></dc:language>
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<dc:rights xml:lang="en"><![CDATA[Creative Commons Attribution BY-NC-ND 4.0 license]]></dc:rights>
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