@misc{Nowina-Sroczyńska_Ewa_Łódź_2016, author={Nowina-Sroczyńska, Ewa}, volume={14}, copyright={Rights Reserved - Free Access}, address={Warszawa}, journal={Journal of Urban Ethnology}, howpublished={online}, year={2016}, language={pol}, abstract={Avant-garde movements almost always have trouble with art-managing institutions. For this reason there are so many new places in which to show artistic achievements – small galleries, markets, city streets and squares, private homes. The article is one of a series of essays devoted to the avant-garde group Łodź Kaliska. The group's presence in the cultural landscape of Łodź goes beyond critical reflection on art. I use an anthropological notion of the carnivalesque, coined by Mikhail Bakhtin, further developed by his exegetes and polemicists. I try to understand Łodź Kaliska’s attitude to a museum as an art-managing institution. The attitude seems to be evolving – from total negation to a rational reflection}, type={Text}, title={Łódź Kaliska Muzeum. Pozdrawiamy urzędników sztuki!}, URL={http://www.rcin.org.pl/Content/61711/PDF/WA308_81121_P714_Lodz-Kaliska-Muzeum_I.pdf}, keywords={avant-garde, museum, carnivalesque}, }