@misc{Idzikowska-Czubaj_Anna_(1974–_)_Cenzura_2025,
 author={Idzikowska-Czubaj, Anna (1974– )},
 volume={23},
 editor={Institute of History of the Polish Academy of Sciences},
 copyright={Creative Commons Attribution BY 4.0 license},
 address={Warszawa},
 journal={Polska 1944/45-1989 : studia i materiały},
 howpublished={online},
 year={2025},
 publisher={Instytut Historii PAN},
 language={pol},
 abstract={The article examines the mechanisms of institutional censorship applied to the Jarocin Rock Festival in the 1980s, focusing on documents from 1984, discovered in 2011 at the Jarocin Cultural Centre. These materials – including censored lyrics from bands such as T.Love, Siekiera, and Izrael – serve as a reference point for deeper reflection on the true scope and effectiveness of censorship during the final years of the Polish People’s Republic. The analysis takes into account the broader context of censorship institutions’ functioning, as well as the changing attitudes of young artists, who increasingly ignored the censors’ recommendations and presented uncensored content on stage. The article highlights the gradual erosion of censorship’s infl uence and the growing inde-pendence of creative communities in the second half of the 1980s.},
 title={Cenzura instytucjonalna PRL wobec festiwalu rockowego w Jarocinie w latach osiemdziesiątych. Mechanizmy kontroli i przypadek ingerencji z 1984 roku},
 type={Text},
 URL={http://www.rcin.org.pl/Content/248104/WA303_284838_B155-Polska-T-23-2025_Idzikowska-Czubaj.pdf},
 keywords={Jarocin Festival, Polish People’s Republic, Main Office for the Control of Publications and Public Performances, rock music, rock music - political aspect - Poland, Jarocin Festiwal},
}