TY - GEN A1 - Bartłomiej Lis N2 - This article offers a reanalysis of the ceramic assemblage from room 60, one of the pantries of the Palace of Nestor at Pylos. The study is based on the original 1966 publication by Blegen and Rawson, excavation notebooks, archive photographs, and personal investigation of the pottery recovered from that room. It is argued that a particular manufacturing technique, characteristic of a group of shapes from room 60 but distinct from the standard Mycenaean potting tradition, betrays the activity of a foreign potter. This study also demonstrates that pottery from room 60 served at least two different functions—as paraphernalia used during funerary feasts and as utensils for manufacturing perfumed oil, a crucial commodity for the Pylian economy. L1 - http://www.rcin.org.pl/iae/Content/59347/PDF/Lis%202016%20Pylos%20Room%2060.pdf VL - 85 PY - 2016 IS - 3 EP - 536 KW - mycenaean pottery KW - Pylos KW - ceramic analysis KW - perfumed oil KW - potters T1 - A Foreign Potter in the Pylian Kingdom? A Reanalysis of the Ceramic Assemblage of Room 60 at the Palace of Nestor in Pylos SP - 491 UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/59347 ER - TY - GEN PB - Institute of Archaeology and Ethnology of Polish Academy of Sciences N1 - 24 cm L1 - http://www.rcin.org.pl/iae/Content/61286/PDF/WA308_80375_P368_Contents_I.pdf M3 - Text VL - 36 CY - Warsaw J2 - Ethnologia Polona 36 2015 (2016) EP - 4 KW - ethnography -- journal T1 - Contents SP - 3 UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/61286 ER - TY - GEN N1 - 24 cm L1 - http://www.rcin.org.pl/iae/Content/61716/PDF/WA308_81126_P714_Informacje-dla-autor_I.pdf M3 - Text VL - 14 CY - Warszawa J2 - Journal of Urban Ethnology 14 (2016) PY - 2016 KW - cultural anthropology -- journal KW - ethnography -- journal KW - urban culture -- journal T1 - Informacje dla autorów SP - 255 UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/61716 ER - TY - GEN N1 - 24 cm L1 - http://www.rcin.org.pl/iae/Content/61715/PDF/WA308_81125_P714_Noty-o-autorach_I.pdf M3 - Text VL - 14 CY - Warszawa J2 - Journal of Urban Ethnology 14 (2016) PY - 2016 EP - 253 KW - cultural anthropology -- journal KW - ethnography -- journal KW - urban culture -- journal T1 - Authors' biographical notes SP - 247 UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/61715 ER - TY - GEN N1 - 24 cm N2 - This article describes the literary – in the anthropological context – image of St. Petersburg, based on two texts: the documentary notes by Jarosław Iwaszkiewicz and the literary guidebook by Ewa Ziółkowska. Both works show the city in the historical, cultural and literary perspective; yet each offers a slightly different, semantically diversified portrait of the same town. The book Petersburg by Jarosław Iwaszkiewicz focused mainly on the experiences, impressions and emotions of the author caused by his journey to the cultural capital of Russia. This journey was undertaken relatively late in the author’s life: at the age of 77; hence the numerous analogies to, and polemics with, other text referring to St. Petersburg. The second book, Petersburg po polsku by Ewa Ziółkowska, is a literary guidebook to a very special place. The article attempts to interpret the city from the masculine and the feminine perspective, and in the light of two different narratives: the semiotic and the guidebook one L1 - http://www.rcin.org.pl/iae/Content/61714/PDF/WA308_81124_P714_Portret-miasta-Peter_I.pdf M3 - Text J2 - Journal of Urban Ethnology 14 (2016) PY - 2016 EP - 246 KW - Polish literature of the 20th and 21st century KW - documentary KW - literary guidebook KW - culture A1 - Walęciuk-Dejneka, Beata VL - 14 CY - Warszawa SP - 235 T1 - Portret miasta: Petersburg po polsku UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/61714 ER - TY - GEN N1 - 24 cm N2 - The article explores the potential within Polish Passion play performances for creating and evoking meanings of a particular city space. It shows that in some particular cases Easter plays can be seen as time machines which transfer the believers into the past, to ancient Jerusalem. Simultaneously, they bring the past into the present by interweaving past meanings into the play. In each of the described Passion plays, however, it is the sacral meanings ascribed to the place in which the play is enacted that enable the believers to make this particular journey in time. Paying special attention to the concepts of creativity and performativity associated with performance theory, the author considers the possibility of creating ancient Jerusalem on stage by means of performance and reviews the particular role of Passion plays in creating contemporary “urban Golgothas” actively enacted in two communities of Poland L1 - http://www.rcin.org.pl/iae/Content/61713/PDF/WA308_81123_P714_Religious-event-as-a_I.pdf M3 - Text J2 - Journal of Urban Ethnology 14 (2016) PY - 2016 EP - 234 KW - Passion plays KW - performativity KW - evoking meanings KW - Catholicism KW - Poland A1 - Baraniecka-Olszewska, Kamila VL - 14 CY - Warszawa SP - 221 T1 - Religious event as a time machine. On creative power of performance in transforming city space UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/61713 ER - TY - GEN N1 - 24 cm N2 - Local authorities of many cities are seeking events which would add splendour to their place and draw attention of numerous tourists. In search for the inspiration they often go back to former religious or secular traditions. The Lviv’s Batyar Festival is a good example of such an attempt to revive the attractiveness of the city. This article is an attempt to answer the question to what extent the Batyar Festival is restoring the old tradition or is a new invention. The figure of a batyar is strongly associated with Lviv, but in the history of the thirty years of the interwar period it had had a national overtone. Today, when Lviv belongs to Ukraine, this fact, quite naturally, is being left unsaid. The batyar is assuming a supranational character, and the Batyar Festival offers an opportunity for entertainment and for the promotion of the city. Replacing celebration of the May Day, it moves the accent from extolling the working class to the community of entertainment L1 - http://www.rcin.org.pl/iae/Content/61712/PDF/WA308_81122_P714_Lwowskie-Swieto-Bati_I.pdf M3 - Text J2 - Journal of Urban Ethnology 14 (2016) PY - 2016 EP - 220 KW - city festival KW - batyar KW - Lviv A1 - Pawlik, Jacek Jan VL - 14 CY - Warszawa SP - 205 T1 - Lwowskie „Święto Batiara” – nowa kultura miejska na kanwie tradycji UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/61712 ER - TY - GEN N1 - ill. ; 24 cm N2 - Avant-garde movements almost always have trouble with art-managing institutions. For this reason there are so many new places in which to show artistic achievements – small galleries, markets, city streets and squares, private homes. The article is one of a series of essays devoted to the avant-garde group Łodź Kaliska. The group's presence in the cultural landscape of Łodź goes beyond critical reflection on art. I use an anthropological notion of the carnivalesque, coined by Mikhail Bakhtin, further developed by his exegetes and polemicists. I try to understand Łodź Kaliska’s attitude to a museum as an art-managing institution. The attitude seems to be evolving – from total negation to a rational reflection L1 - http://www.rcin.org.pl/iae/Content/61711/PDF/WA308_81121_P714_Lodz-Kaliska-Muzeum_I.pdf M3 - Text J2 - Journal of Urban Ethnology 14 (2016) PY - 2016 EP - 203 KW - avant-garde KW - museum KW - carnivalesque A1 - Nowina-Sroczyńska, Ewa VL - 14 CY - Warszawa SP - 177 T1 - Łódź Kaliska Muzeum. Pozdrawiamy urzędników sztuki! UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/61711 ER - TY - GEN N1 - ill. ; 24 cm N2 - The Guggenheim Foundation has created two famous museum buildings, which have changed both museology and contemporary architecture. Guggenheim Museum in New York, designed by Frank Lloyd Wright, was opened in 1959, Guggenheim Museum in Bilbao, designed by Frank Gehry, was opened in 1997. The first of them has broken the traditional archetype of a museum building as based on the rectangular logic of a picture gallery, and elevated architecture of a museum to a role equal to its collection. The second one raised the importance of the museum buildings as they took a central position in contemporary cities, equal to cathedrals in medieval cities. The construction of Guggenheim Museum in Bilbao has long-lasting results called “the Bilbao effect”: iconic buildings focused the attention of the media, they caused the phenomenon of “star architects”, they became a travel destination for mass tourism and therefore acted as a catalyst of social and economic revival of a postindustrial city L1 - http://www.rcin.org.pl/iae/Content/61710/PDF/WA308_81120_P714_Muzea-Guggenheima_I.pdf M3 - Text J2 - Journal of Urban Ethnology 14 (2016) PY - 2016 EP - 176 KW - architecture of museums KW - new museology A1 - Jasińska, Anna A1 - Jasiński, Artur VL - 14 CY - Warszawa SP - 163 T1 - Muzea Guggenheima w Nowym Jorku i w Bilbao: o synergii nowego muzealnictwa i współczesnej architektury UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/61710 ER - TY - GEN N1 - ill. ; 24 cm N2 - The aim of this article is to present mutual relations between urban space and museum space in the former Soviet base of Borne Sulinowo. The notion of throwntogetherness is used to explore co-dependencies and cohabitation of diverse objects, persons and activities. In the text, the idea of throwntogetherness has been combined with (re)construction of the topography of (in)visibility L1 - http://www.rcin.org.pl/iae/Content/61709/PDF/WA308_81119_P714_Re-konstruowanie-top_I.pdf M3 - Text J2 - Journal of Urban Ethnology 14 (2016) PY - 2016 EP - 161 KW - museum KW - former Soviet base KW - throwntogetherness KW - urban space KW - (in)visibility A1 - Czarnecka, Dominika VL - 14 CY - Warszawa SP - 143 T1 - (Re)konstruowanie topografii (nie)widzialności. Przestrzeń miejska i muzealna byłej bazy radzieckiej UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/61709 ER - TY - GEN N1 - 24 cm N2 - The article is an analysis of the permanent exhibition of the local Museum in Krzeszowice – Muzeum Ziemi Krzeszowickiej. In its collection there are gathered items referring to the certain scopes of identity: local, regional, urban middle-class folk, national. The text underlines institutional character of the vision created of the community, defined by a collection of museum objects L1 - http://www.rcin.org.pl/iae/Content/61708/PDF/WA308_81118_P714_Utrwalone-sieci-znac_I.pdf M3 - Text J2 - Journal of Urban Ethnology 14 (2016) PY - 2016 EP - 142 KW - Krzeszowice KW - museum KW - memory KW - history KW - identity A1 - Godyń, Maria VL - 14 CY - Warszawa SP - 131 T1 - Utrwalone sieci znaczeń. O Muzeum Ziemi Krzeszowickiej UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/61708 ER - TY - GEN N1 - ill. ; 24 cm N2 - The article is an attempt to characterise the annual “Museums at night” event organised in Lodz since 2005. The analysis of various data from printed leaflets, catalogues, press articles, on-line resources, the results of a survey conveyed in 2015 and the author’s observations, will result in answering the following questions: How significant is that event for the residents of Lodz? Has the event undergone any significant changes over the years and what are its permanent elements? What is the participants/viewers’ reception of it? “Museums at night” in Lodz became a mass event, a festival and city spectacle in 2008. A number of cultural and educational institutions, museums, as well as churches participating in it steadily grew. The article focuses on the bid of the three main Lodz museums whose collections are devoted to the history of this once multicultural industrial metropolis, namely the Lodz City Museum, Central Museum of Textiles and the University of Lodz Museum. Other forms of participation and entertainment prepared for the viewers, such as workshops, drama events, rides in old trams and small-gauge trains, are also described. The article presents the effectiveness and the methods of promoting the event and spreading information about it, stressing the fact the major source of information was the internet and the largest group of viewers were young people. The author observes and comments on the participants’ limited knowledge and awareness of the museums’ collections and the way they function daily. The participants of the “Museums at night” event are mainly attracted by the night scenery, the festival atmosphere, the various additional attractions and the possibility of sharing emotions within a group. So far, the museum collections seem to be just an added value L1 - http://www.rcin.org.pl/iae/Content/61707/PDF/WA308_81117_P714_Miasto-w-nocy_I.pdf M3 - Text J2 - Journal of Urban Ethnology 14 (2016) PY - 2016 EP - 129 KW - museum KW - museology KW - festival KW - holiday KW - urban culture A1 - Woźniak, Krzysztof Paweł VL - 14 CY - Warszawa SP - 113 T1 - Miasto w nocy – noc w muzeum: między spontanicznością a tradycją. Rekonesans badawczy UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/61707 ER - TY - GEN N1 - 24 cm N2 - The article concerns changes that have occurred during past 35 years in Polish museum education. The author started working as a museum educator in the 1980s; she conducted museum lessons and organized educational competitions. Now she characterizes the main features of contemporary museum education and analyzes some trends that have appeared in this area since 2000. She discusses them on the example of projects implemented by the Municipal Museum Zory and the Count Ostrowski Museum in Tomaszow Mazowiecki. She focuses on complex, interdisciplinary and multifaceted nature of these projects, as well as highlights the need for selecting proper methods for the study of museum education L1 - http://www.rcin.org.pl/iae/Content/61706/PDF/WA308_81116_P714_Nie-tylko-lekcje_I.pdf M3 - Text J2 - Journal of Urban Ethnology 14 (2016) PY - 2016 EP - 111 KW - museology KW - education A1 - Nadolska-Styczyńska, Anna VL - 14 CY - Warszawa SP - 95 T1 - Nie tylko lekcje i oprowadzanie. Kilka uwag o polskiej edukacji muzealnej i sposobach jej badania UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/61706 ER - TY - GEN N1 - ill. ; 24 cm N2 - My study focuses on the reflection on how certain special places, ones which have been exceptionally marked by the war, tend to endure in the space of a city. I make use of aspects of the history of my own family and photographs from the family archive, and the “stage” is provided by a derelict villa in the Lower Mokotow district of Warsaw, where the complex traces of history, stories of personal lives and their contemporary interpretations converge L1 - http://www.rcin.org.pl/iae/Content/61705/PDF/WA308_81115_P714_Czerwona-Willa-Fried_I.pdf M3 - Text J2 - Journal of Urban Ethnology 14 (2016) PY - 2016 EP - 94 KW - urban ethnology KW - Warsaw KW - city history KW - family history KW - Michał Friedberg KW - Red Villa KW - the Friedbergs' villa A1 - Kowalska, Jolanta VL - 14 CY - Warszawa SP - 73 T1 - „Czerwona Willa” Friedbergów. Między historią i legendą UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/61705 ER - TY - GEN N1 - 24 cm N2 - In the contemporary humanistic sciences, including cultural anthropology, which is to a greater or lesser extent geared to historical thinking, the approach to war is usually based on the chronotope of reversion, i.e. on the perception of war as the opposite of peace. Such an approach involves a very particular perception of the war-marked everyday; a perception which is, fundamentally, a phenomenological one. According to this perception, the reversed everyday of the wartime is non-ordinary and peculiar; as a result, it is experienced as alien and unfamiliar. Referring his reflections to the cultural reality of the city of Łódź as marked by the Great War, the author attempts to demonstrate that not the entire everyday of a city undergoes a reversion during wartime, or that not all the elements of that everyday are reversed to the same extent. He demonstrates that the daily press is one such element. On the example of “Nowy Kurier Łódzki”, one of the newspapers typical of the place and time, he shows how, during wartime, a daily paper preserves the ways of writing about the world which are familiar to it from the pre-war period, also by making use of all the journalistic genres that make it possible to go beyond the straightforward truth of facts and events. Owing to this approach, the newspaper transgresses the commonplace and mundane everyday of a wartime city L1 - http://www.rcin.org.pl/iae/Content/61704/PDF/WA308_81114_P714_Jak-gazeta-codzienna_I.pdf M3 - Text J2 - Journal of Urban Ethnology 14 (2016) PY - 2016 EP - 72 KW - daily newspaper KW - “Nowy Kurier Łódzki” KW - the city of Łódź KW - the Great War KW - transgressions of theeveryday A1 - Wejland, Andrzej Paweł VL - 14 CY - Warszawa SP - 61 T1 - Jak gazeta codzienna przekraczała codzienność Wielkiej Wojny: „Nowy Kurier Łódzki” 1914–1918 UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/61704 ER - TY - GEN N1 - 24 cm N2 - The premiere of the Bio je lijep i sunčan dan, directed by Tanja Miletić-Oručević in Sarajevo War Theatre (SARTR) took place in May 2012. This date was chosen deliberately: both the month and the year alluded to the dramatic story of the siege of Sarajevo and to the day in which the theatre was founded. The performance is based on a book which consists of the memories of townspeople from only one day – 2 May 1992 – in Sarajevo. Their authors represent different age, social and professional groups and each of them writes about personal experiences that constitute the collective memory of the first day of the siege. The article is an attempt to explain the strategy of the theatre project, its relevant contexts and further consequences. The object of reflection is not the review of the performance, but rather its documentary dimension, also based on interviews with its director. In this case, a performance is a frame that can be used for consideration and problematizing some cultural practices of expressing important experiences, politics of memory and the process of constructing meaningful strategies of the narrations L1 - http://www.rcin.org.pl/iae/Content/61703/PDF/WA308_81113_P714_Byl-piekny-i-slonecz_I.pdf M3 - Text J2 - Journal of Urban Ethnology 14 (2016) PY - 2016 EP - 60 KW - Sarajevo KW - May 2 1992 KW - politics KW - theatre KW - document KW - Miletić-Oručević A1 - Sztandara, Magdalena VL - 14 CY - Warszawa SP - 43 T1 - Był piękny i słoneczny dzień... O „wyciszanych” narracjach mieszkańców Sarajewa UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/61703 ER - TY - GEN N1 - 24 cm N2 - This article is an attempt to use Justin McGuirk’s concept of a “radical city”. In this article I focus my reflections on the involvement of anarchists in the issues of urban policy and the radicalization of contemporary urban movements. At the same time I propose a thesis that today’s anarchist movement ceased to be a countercultural movement and it became a political movement with clearly defined objectives and social needs. The activity of anarchists is not focused on the activities of the counter-culture such as music, art, alternative or generational rebellion (anarchism as a movement of youth and subculture). New anarchism has taken the form of a politically involved movement, and the city has become an excellent arena for it to manifest its opinions, which are gaining importance in the context of urban culture. Anarchists protesting against the logic of the “free market” actively participate in the global critique of neoliberalism, they support condominium movements and worker movements. Conclusions related in the article come from field research which I have conducted for years among Polish and European anarchists L1 - http://www.rcin.org.pl/iae/Content/61702/PDF/WA308_81112_P714_Radykalne-miasta-Ruc_I.pdf M3 - Text J2 - Journal of Urban Ethnology 14 (2016) PY - 2016 EP - 41 KW - anarchist movement KW - urban movement KW - radical protest KW - political anthropology KW - Poland A1 - Pomieciński, Adam VL - 14 CY - Warszawa SP - 29 T1 - Radykalne miasta. Ruch anarchistyczny jako ruch miejskiego protestu UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/61702 ER - TY - GEN N1 - 24 cm N2 - The politicization of the concept of culture and its examination in relation to the power relationships are features of modern, non-professional debate on culture. Connected to them is the notion that leading ideologies define the differences (religious, ethnic, gender, sexual, age-related), and contribute to the creation of separate, often stigmatized groups and thus minority cultures. Culture is recognized as something essential, the property of the group and its inalienable differentiator, making it distinct from others. Meanwhile, focusing on the differences without realizing that they do not exist objectively, but are constructed, and putting an exaggerated emphasis on these differences result in the perpetuation of stereotypes. Cultures are reduced to a catalogue of distinctive features, while the existing similarities are overlooked or entirely questioned. Total separateness of individual groups is an imagined or the postulated state of affairs; however, the reality is reflected in terms which emphasize their interpenetration, crossing, interdependence and relatedness, better than in terms of “isolation” L1 - http://www.rcin.org.pl/iae/Content/61701/PDF/WA308_81111_P714_Jednosc-i-roznica_I.pdf M3 - Text J2 - Journal of Urban Ethnology 14 (2016) PY - 2016 EP - 28 KW - politicization of culture KW - culturalism KW - cultural essentialism A1 - Hołda, Renata VL - 14 CY - Warszawa SP - 9 T1 - Jedność i różnica w badaniach międzykulturowych UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/61701 ER - TY - GEN N1 - 24 cm L1 - http://www.rcin.org.pl/iae/Content/61700/PDF/WA308_81110_P714_Spis-tresci_I.pdf M3 - Text VL - 14 CY - Warszawa J2 - Journal of Urban Ethnology 14 (2016) PY - 2016 EP - 8 KW - cultural anthropology -- journal KW - ethnography -- journal KW - urban culture -- journal T1 - Contents SP - 7 UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/61700 ER - TY - GEN N1 - ill. ; 24 cm N2 - Nomadism was widely perceived as a developmental problem by state administrators in the XX century, in capitalist as well as socialist countries. This article examines the strategies and effects of sedentarization policies in the forest (taiga) zone of the Soviet Union in the 1940s and 1950s. The different aspects of the state’s sedentarization campaign – administrative restructuring, collectivization, and the development of new industrial branches – are illuminated through examples of official documents and responses by Evenki reindeer nomads who were affected by this policy. Responses include reindeer nomads’ comments on how their spatial practices were subject to state-instigated change. Building on Gail Fondahl’s concept of “socialist enclosure”, the author develops the concept of “cognitive enclosure” to broach the very palpable consequences of sedentarisation on people’s perception of space and skills of moving. Examples are: learning to live in a house, unlearning certain modes of travelling, and navigating new environments. Sources used for this article comprise archival material from Central Siberia, ethnographies by scholars who have worked in this and adjacent areas, and the author’s own field observations from different regions L1 - http://www.rcin.org.pl/iae/Content/61775/PDF/WA308_81482_P326_Nauczyc-sie-siedziec_I.pdf M3 - Text J2 - Learning to be seated. Sedentarization in the far north as a spatial and cognitive enclosure J2 - Etnografia Polska 60 Z. 1-2 (2016) PY - 2016 IS - 1-2 EP - 189 KW - bodily movement KW - cognitive enclosure KW - nomadic peoples KW - sedentary way of life KW - perception of space KW - posture KW - peoples of the North A1 - Habeck, Joachim Otto PB - Instytut Archeologii i Etnologii Polskiej Akademii Nauk VL - 60 CY - Warszawa SP - 165 T1 - Nauczyć się siedzieć: osiedlanie ludów koczowniczych dalekiej północy ZSRR jako ogradzanie przestrzenne i poznawcze UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/61775 ER - TY - GEN N1 - 24 cm N2 - Almost one hundred years ago Waldemar Jochelson, a member of North Pacific Jesup Expedition to Siberia, wrote that Yukaghirs were on the edge of extinction. It seems however that “the edge of extinction” is quite flexible phenomenon, because more than a hundred years after his expeditions, Yukaghirs are still “dying out”. In this article I present how the discourse of “extinction” is being used by Yukaghir elite to construct the politics of identity. This discourse is being used to create the group image of Yukaghirs as the last truly honest and noble people of taiga or tundra. Drawing on the concepts of Anthony D. Smith and James Clifford I want to show that ethnic survival does not have to assume the continuity of genotype, culture and language. A group can survive even if it is of mixed descent, has lost its language and culture, as long as it remembers the past and treats adopted culture and language as its own. Many authors point-out the existence of so-called “specific ethnic elements” responsible for ethnic survival. On the one hand, we could say that Jochelson’s Yukaghirs are gone, they have all died out. On the other hand, there are still local indigenous groups who call themselves Yukaghirs. Ethnic identity was a rather abstractive idea brought to “primitive” societies by white people (Russians in this case). In the past Yukaghir speaking tribes lived among Eveny speaking and Chukchee speaking tribes. In tundra, these three groups used a common name – Khangai – tundra people. Those arguments show that assimilation, acculturation and creolization took place among Yukaghirs at every stage of their history. Apparently, purity of gens, blood and culture are myths or legends human societies are addicted in referring to, but have very little to do with ethnic survival. What matters is not the physical existence of a group, but its cultural characteristics. This allows us look at the “dying out” as a relative phenomenon L1 - http://www.rcin.org.pl/iae/Content/61774/PDF/WA308_81481_P326_Wymierajacy-Jukagirz_I.pdf M3 - Text J2 - Dying Yukaghirs. DNA, ethnicity and culture in northern Yakutia J2 - Etnografia Polska 60 Z. 1-2 (2016) PY - 2016 IS - 1-2 EP - 164 KW - Siberia KW - Yukaghirs KW - ethnic survival KW - genetic research KW - identity KW - extinction A1 - Derlicki, Jarosław PB - Instytut Archeologii i Etnologii Polskiej Akademii Nauk VL - 60 CY - Warszawa SP - 149 T1 - Wymierający Jukagirzy. Geny, etniczność i kultura w północnej Jakucji UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/61774 ER - TY - GEN N1 - 24 cm L1 - http://www.rcin.org.pl/iae/Content/61773/PDF/WA308_81486_P326_Soul-hunters-hunting_I.pdf M3 - Text J2 - Etnografia Polska 60 Z. 1-2 (2016) PY - 2016 IS - 1-2 EP - 215 KW - etnografia -- czasopisma A1 - Teleżyńska, Irena PB - Instytut Archeologii i Etnologii Polskiej Akademii Nauk VL - 60 CY - Warszawa SP - 213 T1 - Soul hunters: hunting, animism, and personhood among the Siberian Yukhagirs, Rene Willerslev, University of California Press, Berkeley and Los Angeles 2007 : [recenzja] UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/61773 ER - TY - GEN N1 - 24 cm L1 - http://www.rcin.org.pl/iae/Content/61772/PDF/WA308_81485_P326_Polaki-v-diaspore-Sr_I.pdf M3 - Text J2 - Etnografia Polska 60 Z. 1-2 (2016) PY - 2016 IS - 1-2 EP - 213 KW - etnografia -- czasopisma A1 - Szmyt, Zbigniew PB - Instytut Archeologii i Etnologii Polskiej Akademii Nauk VL - 60 CY - Warszawa SP - 210 T1 - Polâki v diaspore. Sravnitel’naâ harakteristika etničeskoj istorii pol’skih diaspor v Rossii, SŠA i Brazilii, Igor Zarinov, Institut Ètnologii i Antropologii RAN, Moskva 2010 : [recenzja] UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/61772 ER - TY - GEN N1 - 24 cm L1 - http://www.rcin.org.pl/iae/Content/61771/PDF/WA308_81484_P326_Religia-przezywana_I.pdf M3 - Text J2 - Etnografia Polska 60 Z. 1-2 (2016) PY - 2016 IS - 1-2 EP - 210 KW - etnografia -- czasopisma A1 - Baraniecka-Olszewska, Kamila PB - Instytut Archeologii i Etnologii Polskiej Akademii Nauk VL - 60 CY - Warszawa SP - 209 T1 - Religia przeżywana. Katolicyzm i jego konteksty we współczesnej Ghanie, Anna Niedźwiedź, Wydawnictwo Libron, Kraków 2015 : [recenzja] UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/61771 ER - TY - GEN N1 - 24 cm N2 - In the paper authors analyze conflicted actions focused on revival of Buryat ethnic minority culture and state unification policy on the local level, in the Siberian part of the Russian Federation. Using the example of the fifteen-year history of a Siberian ethno-cultural festival authors show how manipulation of categories of “traditional culture”, “autochthonic peoples” and “multiculturalism” can serve for taking the symbolic control over part of state territory and how the minority group performs its ethnicity in the frames imposed by the majority group. In the successes and defeats of the festival’s organizers one can reconstruct the process of neutralization of Buryat culture in favour of multiethnic unity. Detailed analysis of the way of using ethnographic and historical sources and processes of negotiating the right to be the host and the guests of the festival is presented in the paper. The festival constitutes the platform for performance of ethnic and religious identities. These performances build multilevel meanings of the festival – from the tourist attraction through celebrating the unity of Eurasia peoples to the shamanistic rite of the fundamental importance for local community L1 - http://www.rcin.org.pl/iae/Content/61770/PDF/WA308_81483_P326_Performing-ethnicity_I.pdf M3 - Text J2 - Etnografia Polska 60 Z. 1-2 (2016) PY - 2016 IS - 1-2 EP - 207 KW - autochthonic groups KW - Buryats KW - ethnicity KW - festival KW - minority KW - tradition A1 - Głowacka-Grajper, Małgorzata A1 - Nowicka, Ewa A1 - Połeć, Wojciech PB - Instytut Archeologii i Etnologii Polskiej Akademii Nauk VL - 60 CY - Warszawa SP - 191 T1 - Performing ethnicity, celebrating multiculturalism. The ethno-cultural festival Yord Games in the conflict between “indigenous Buryat traditions” and “Eurasian unity” UR - http://www.rcin.org.pl/iae/dlibra/publication/edition/61770 ER -