@misc{Popławska_Marzanna_Indonesian_2019, author={Popławska, Marzanna}, volume={39}, copyright={Creative Commons Attribution BY-NC-ND 4.0 license}, address={Warsaw}, journal={Ethnologia Polona}, howpublished={online}, year={2019}, publisher={Institute of Archaeology and Ethnology Polish Academy of Sciences}, language={eng}, abstract={In this article, I address music – that is, humanly and purposefully organized sound (Blacking 1973; Shelemay 2001) – as a personal, cultural and research experience. Drawing on my experience of learning, researching and performing Indonesian music, I discuss several issues that are pertinent to the ethnomusicological/anthropological study of non-native music-cultures. I examine the concept of bi-musicality, its challenges and limitations; the role of a phenomenological perspective and hermeneutics in conceptualizing the complexities of music experience and meaning in music; and the role of music in shaping identity, especially at the community level.}, type={Text}, title={Indonesian Music-Culture as a Personal and Research Experience}, URL={http://www.rcin.org.pl/iae/Content/122008/PDF/WA308_152208_P366_Indonesian-Music-Cul_I.pdf}, keywords={ethnomusicology, music anthropology, Indonesian music, Christian music, musical meaning, intonation, reflexivity, experience of music, identity and music}, }